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Goddard’s crystal chalet is a symbol of excess, ambition, and depravity in the text, speaking to The Relationship Between Power and Corruption. It also symbolizes the distance Goddard has traveled from the Scythe commandments, one of which is “[t]hou shalt claim no Earthly possessions, save thy robes, ring, and journal” (Scythe). The fact that the chalet is crystalline makes it analogous to a scythe diamond; thus, Goddard wants to live inside a scythe diamond or possess all the power the diamond represents. This imagery is further reinforced when Goddard spreads scythe diamonds on his bed and literally lies amongst them, even though they are uncomfortable. Since the chalet is located on top of a skyscraper, it represents the height of Goddard’s ego. The High Blade feels he inhabits the stratosphere while others are confined to the ground.
As the Tonists continue to speak against him, Goddard mounts heavy artillery on the 68th-floor garden surrounding his chalet, with the barrels of the cannons pointed at the city below. This shows Goddard has turned against the very people whom, as a scythe, he was supposed to serve. While the chalet represents Goddard’s cruelty and megalomania, it also symbolizes the fall of his pride. At the novel’s end, when Faraday activates the fail-safe and all scythe diamonds burst, the exploding diamonds inside Goddard’s chalet make the entire crystalline structure shatter. Thus, the text suggests that having inflated beyond measure, Goddard’s ego must burst.
The Tonist tuning fork and Da Vinci’s fail-safe together form an important motif as well as serve as key symbols in the novel. As a motif, the fork and the fail-safe illustrate important ideas about The Necessity of Change for Growth. Symbolically, they represent the circular relationship between religion and technology. In the series, Tonists are a religious cult with strange beliefs, partly cobbled from religions of the mortal age (the world before CE 2042). One such borrowed belief is a holy triad, inspired by the Christian Trinity of the Father, the Son, and the Holy Spirit. The most unique of Tonist beliefs is their veneration of sound above all senses, and their doctrine that a divine consciousness exists as a Living Tone. Every Tonist monastery has a two-pronged tuning fork—the symbol of their religion—in its courtyard. A tuning fork, which is traditionally used to tune musical instruments, resonates at a particular frequency when struck, continuing to emit a pure single note when all other notes have faded. The Tonist religion opposes scythes, believing they interfere with the natural order of life and death, and the fail-safe anticipates corruption in scythedom. Since both these objects are anti-scythe, they are tied to the theme of the necessity of changing the world order.
The fail-safe that Faraday finds is in the form of a tuning-fork-like structure with two antennas. When activated, it produces sound as well, though not one that is discernible to human ears. The similarity between these two disparate objects makes sense when one considers Da Vinci’s journal entry, in which he says he will plant the seed of the fail-safe in a fledgling religion. It can be inferred that the Tonists took the idea of the fork from Da Vinci’s stories. Thus, the two objects symbolize the continuum between technology and religion.
Furthermore, in a circular chain of events, the Thunderhead does emit a sound heard the world over, which the Tonists believe is the Living Tone expressing itself. The Thunderhead also does become sentient, or animated by the Tone. Later, the legend of the Toll is established on a far planet, which shows how the process of mythmaking interprets science as magic and religion.
A key setting in the book, the Kwajalein Atoll, is in the continent of Australia and refers to the real-life coral island group in the Republic of Marshall Islands. The atoll is in the Pacific Ocean, located southwest of Hawaii. In the text, it is marked as “east toward nowhere” in the maps (484), as it is located in an area the Thunderhead does not cover or in the Thunderhead’s “blind spot.” It is also known as the Land of Nod, a mythical land of children’s nursery rhymes. The founder-scythe Da Vinci invented the name as a clue for future generations to find the off-the-grid location.
The Atoll functions as a key symbol in the text, illustrating the important themes of The Relationship Between Power and Corruption and The Necessity of Change for Growth. Since the atoll is the site the Thunderhead uses for its secret, subversive operation, it represents change and new beginnings. The atoll is also where the fail-safe is located. The colonization of the atoll—free from the problematic trappings of real-world colonialism—does feel like a fresh start and offers a respite from the bloodied, power-mad nature of the rest of the novel’s world.
The atoll also serves as a link between the mortal and post-mortal ages, showing how history repeats itself. For instance, the atoll was the site for nuclear testing in the mortal age, which is why it has infrastructure readied for rocket launches. In the real world, the US tested nuclear weapons at the atoll between 1946 and 1958, which led to the contamination of ocean water as far away as Europe, loss of marine life, and radiation sickness in local populations and ship crews. The Thunderhead’s use of the atoll for a more constructive purpose shows how the AI is more beneficial for humanity than corrupt humans. The reason the Thunderhead can carry out its operation is because of the remote and untraceable location of the atoll. This indirectly makes a case for decreased technological surveillance.
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