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Essun is the protagonist of the series and the “you” the narrator is addressing. She is independent, strong-willed, short-tempered, and, initially, short-sighted. Her worldview and her priorities have been shaped by her suffering as a subject of Systems of Oppression and Autonomy that label orogenes like her as dangerous and subhuman. As a result, it is difficult for her to form attachments or prioritize anything beyond short-term survival. This becomes the primary source of tension between Essun and Ykka, who wants to build a better, orogene-inclusive society. Essun’s inability to think long-term and her detached nature frustrate Ykka, who needs Essun to commit to her cause if Castrima is going to succeed. Further complicating things is the fact that Essun can no longer use orogeny without turning to stone due to using the Obelisk Gate at the end of the previous novel, rendering her more reliant on everyone around her.
While the previous novel, The Obelisk Gate, sees Essun having to unlearn a lot of her assumptions about the world and orogenes’ place in it, The Stone Sky completes this arc by having Essun learn The Importance of Family and Community. However, this is not straightforward, because Essun is pulled between her desire to reunite with her daughter, Nassun, and her sense of obligation (and later, devotion) to Castrima. Revelations about Nassun’s intent to end the world and her attachment to Schaffa eventually lead Essun to reevaluate and accept that her relationship with her daughter is fractured beyond repair. This revelation has the potential to be as life-shattering as the events that started the series, as finding Nassun and ensuring her safety has been the only thing keeping Essun going. Yet, despite this, she does not give in to despair and hopelessness. She can keep going because she has surrounded herself with people who care about her and provide a meaningful path forward. She commits herself to doing everything in her power to end the Seasons and create a world that provides both Castrima and Nassun a future, and it is ultimately her willingness to die for this cause that convinces Nassun to change her mind at the end of the novel.
Nassun is the second protagonist of the story. The daughter of Essun, she is a precocious orogene who is capable of intuiting complex orogenic and magical processes, such as how to use the obelisks. Like Essun, she is the product of her traumatic experiences—which include the cruel training methods Essun learned from her own oppression and subjected Nassun to from a very young age—and her society’s anti-orogene ideology. Her understanding of the world is justifiably pessimistic and hopeless. All she wants is a simple life surrounded by people who love her for who she is, and she has been denied this at every turn.
Despite her young age, Nassun does not follow the typical coming-of-age arc that employs a loss of innocence to spur personal growth. Because she is an orogene, she was never allowed to be innocent; rather, she was forced to grow up almost immediately by her mother. This leads to problems that manifest throughout The Stone Sky, starting with her susceptibility to manipulation. While Nassun can take care of herself and has the world-weariness of someone four or five times her age, she is still a child in many respects. Steel takes advantage of this by using anger and feelings of futility to get her to do his bidding. Nassun immediately recognizes that he is untrustworthy, but she is so desperate for a purpose that she goes along with him anyway.
Nassun also exists in a parental triangle with Essun and Schaffa and means different things to each of them. For Essun, Nassun is the reason to keep fighting: She gives her purpose in a world largely devoid of meaning. However, Essun does not realize the degree to which her treatment of Nassun before they were separated has alienated Nassun, and their reunion—three books in the making, from Essun’s perspective—is anticlimactic because Nassun has replaced her as a parental figure with Schaffa, whom she fears is dying. Schaffa’s relationship with Nassun is no less complicated, as what draws him to her is that she reminds him of Damaya (Essun as a child), and he sees her as his Redemption. Yet, none of this matters to Nassun, because he is the only person who has loved her unconditionally—or at least, loved her in a way that she feels and recognizes.
Like her mother, Nassun illustrates the interconnection between Empire, Climate Catastrophe, and Systemic Oppression and The Importance of Family and Community. The systemic prejudices against orogenes have denied Nassun family and community her whole life. Her mother tries to protect her by teaching her to hide; her father can only love her when he believes she can be “cured” of her innate power. Both of them act out on their daughter the belief programmed into them by society that orogenes cannot be accepted into society. Isolation makes orogenes vulnerable to exploitation, which is both what enabled the Stillness to enslave orogenes for their own ends for centuries and what makes it possible for Steel to manipulate Nassun into doing what he wants. Yet, in the end, it is family that saves Nassun. Recognizing her mother’s love for her and honoring her own love for Schaffa, she chooses hope for change over the apocalypse.
Schaffa is a former Guardian who became “contaminated” after making a deal with Father Earth to prevent him from drowning. This process erased parts of his memory and made him an agent of Father Earth, who now controls him through his corestone. In the past, Schaffa was Essun’s Guardian, responsible for much of the trauma she experienced as a child. However, toward the end of The Obelisk Gate, Schaffa begins to resist Father Earth and make decisions for himself, which causes him great physical pain. This means that for the first time in the series, Schaffa is acting completely on his own accord. This manifests in actions such as no longer siphoning magic from Nassun, allowing the children of Found Moon to go free when they are all forced to leave, and killing his fellow Guardians Nida and Umber when they attempt to kill Nassun. This ties into the novel’s broader themes about agency and is central to the redemption arc that Schaffa completes in The Stone Sky.
Schaffa’s primary source of Redemption—despite his history of violence and abuse—is his relationship with Nassun. While The Obelisk Gate left some ambiguity surrounding Schaffa’s motivations and intentions, The Stone Sky quickly quells the idea that he wants anything beyond helping Nassun get what she wants. He takes care of her but also gives her the space to develop into the powerful orogene she is becoming. He does his best to answer all of her questions about Guardians, the Fulcrum, and the history of the Stillness—and in this way, he also serves as a vehicle for Jemisin to provide even more worldbuilding and backstory. Over the course of the novel, Nassun comes to see him not as her Guardian, but as her father and forms a bond so strong she is willing to completely change her plans if it means he can survive. His care and love for Essun’s daughter not only help him atone for the harm he did to her but also help heal some of the harm Essun did when she reenacted Schaffa’s cruel training methods on Nassun. Schaffa demonstrates that to dismantle Systems of Oppression and Autonomy, the people who were complicit in perpetuating them must confront the harm they have done and work to undo it.
Hoa is a stone eater who has been following and supporting Essun since the start of the series. The Fifth Season revealed that he is the narrator of the story, but it remains unclear why he is using the unconventional second-person perspective to do so. The end of The Stone Sky provides an answer: He is telling the story directly to Essun before she is turned into a stone eater with the hope that showing her where she came from will preserve as much of her “essence” as possible. This revelation raises questions about Hoa’s reliability as a narrator since he loves Essun and wants her to not only live but also to love him in return. Nevertheless, Hoa does not portray himself as perfect or infallible.
In The Stone Sky, Hoa’s backstory is revealed through a series of interludes depicting his role in the events that led to the Shattering and started the cycle of Seasons. Forty thousand years ago, before being turned into a stone eater by Father Earth, he was a tuner who went by the name Houwha. Tuners were genetically engineered by the people of Syl Anagist to be a part of the Plutonic Engine, which Sylanagistine engineers believe will provide them with an inexhaustible source of power. The tuners were designed based on the Niess, a people who had been conquered, oppressed, and eventually wiped out by the Sylanagistines. The Sylanagistines see the tuners as tools, rather than sentient beings, and give them little agency. Thus, tuners embody the theme of Empire, Climate Catastrophe, and Systemic Oppression. Their creation is the culmination of imperial genocide and exploitation of the earth, and their systemic dehumanization and oppression lays bare the fact that all of Syl Anagist’s advancements are rooted in the exploitation of the earth and other people.
After Kelenli shows Houwha and the other tuners the truth of their existence, they rebel and decide to destroy Syl Anagist rather than launch the Plutonic Engine. However, because he has fallen in love with Kelenli, Houwha changes the plans at the last minute to ensure her survival. Hoa’s ability to feel attachment becomes central to his desire to rebuild the world. He contrasts with Steel—the main stone eater in opposition to Hoa—who is lonely, and bitter, and wants to end the world simply so he can finally die. Hoa brings together the themes of Empire, Climate Catastrophe, and Systemic Oppression and The Importance of Family and Community in a complex way. On one hand, Houwha begins the climate catastrophe of the Seasons when he decides not to destroy the world to save Kelenli. On the other, his sense of love and connection later allows him to heal the original wound the Sylanagistines inflicted on Father Earth by showing Essun (and through her, Nassun) that the moon must be returned to its orbit and the Obelisk Gate dismantled. He understands that the systems of oppression must be smashed, but also that community must be rebuilt for the world to become a better place.
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By N. K. Jemisin