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On the evening of September 26, Nella and Malaika browse haircare products while waiting for Owen at Curl Central. Malaika mocks the names of different brands of hair grease, scoffs at their harsh chemical ingredients, and critiques a cardboard cutout of author Miss Iesha B. that is on display next to copies of Black Hairapy: Ten Ways to Key into the Power of Your Locs. They bump into owner Juanita Morejón and head to the Young, Black ’n’ Lit event.
Owen makes a conspicuous entrance as he travels to the front of the audience and back again for a round of drinks. Nella is acutely aware that he is one of two white people in attendance. She thinks of the white men she met in college, who pursued her as a conquest, and compares them to Owen, who always treated her as a serious love interest. While Owen is away, Malaika asks how he feels about the threatening notes, and Nella confesses she hasn’t told him.
Hazel appears onstage and announces that, in addition to co-sponsoring the event, Wagner Books has committed to recruit more people of color. A bald woman in the audience, later identified as Shani, mutters “Sweet Baby Jesus” (209). Nella is annoyed to see that Hazel’s accomplishment visibly impresses Owen and Malaika. Nella fantasizes about stealing the mic and informing the audience of Wagner’s failed diversity meetings and Shartricia.
After the reading, Nella confronts Hazel, demanding answers about Richard, the notes, and the marketing meeting. Hazel explains that she and Richard have been researching equitable hiring practices and that, although she disliked Shartricia’s portrayal, Hazel practiced code switching to stay in Vera’s and Colin’s good graces and later subtly push for edits. Richard, whom Hazel refers to as “Dick,” briefly interrupts to congratulate Hazel and ignores Nella. Irritated, Nella tries to leave, but Hazel stops her with a peace offering of unlabeled hair grease called “Smooth’d Out” and an invitation to a natural hair party she is hosting. Hazel then asks Nella to explain the notes she mentioned and seems genuinely confused and concerned. Hazel urges her to report the notes to Richard, and Nella makes a noncommittal reply before finally leaving more confused than before.
During a Resistance meeting the following day, Shani reflects in greater detail about the circumstances of her flight from Boston and the goals of the Resistance. On Shani’s last day at Cooper’s magazine, Eva circulated a copy of the infamous op-ed, in which Shani was quoted referring to her white colleagues as “Vampiric, self-important white saviors whose definition of diversity is writing about Black and brown people who do nothing but hurt and steal” (228). Feeling shocked and betrayed, Shani recognized the quote as part of a conversation with Eva the night before. Shani was publicly fired, and Eva was nowhere to be found.
Shortly thereafter, Lynn sent Shani documentation of Eva’s “ever-changing identities,” her “wild trajectory” across the United States, and the “destruction she always somehow managed to leave in her wake” (227). Lynn identified Eva as an “OBG,” or “Other Black Girl”: a driven, individualistic young Black woman “beholden to [no one] but [herself] and the white people [she] worked for,” someone “obsessed with success—and with taking down any Black women who got in [her] way” (229). Convinced that Eva is part of a larger, more insidious movement, Shani deleted all social media, cut her long natural hair, and moved to New York to join the Resistance.
During their twice-monthly meeting, Lynn shares evidence collected over the past five years about OBGs, including their locations and characteristics, such as the “smile-and-nod,” “helpless shrug,” and “glassy-eyed stare” (230). Lynn suspects OBGs came into existence 20 years prior and currently blend in with and convert non-OBGs. Shani recounts her observations from the Young, Black ’n’ Lit event and notes that she saw Hazel hand Nella a jar. Shani also reveals that the Resistance has been using Pam to send notes to Nella.
The Resistance has many rules, one of which is to “Never confront an OBG or potential OBG unless directed” (231); however, Shani believes the Resistance should warn Nella about Hazel. Lynn, who believes Nella is compromised, instructs Shani to keep her distance. After the meeting, Lynn introduces Shani to Kendra Rae, who is visiting New York in secret. Kendra Rae promises to tell the Resistance what she knows about Wagner Books. In exchange, she asks Shani to describe the jar that Hazel handed to Nella.
On October 17, Nella receives an email from Lena Jones, the author she’s been attempting to meet, but Lena is now requesting Hazel’s contact information. Fuming, Nella prepares a cup of tea to calm down before the Pins and Needles book cover meeting. She’s wearing the hair grease she received from Hazel and is distracted by its pungent scent. Nella reflects that, in addition to Lena, everyone in the office favors Hazel. Nella is bothered by Hazel’s office celebrity and “bothered […] that she [is] bothered” (240). She traces her insecurities, in part, to the fear of being an “Oreo,” someone who is not “Black enough.” However, Nella also senses something artificial in the way Hazel takes “code-switching to an entirely new level” (240), charming India and C.J. as easily as Vera and the other white editors. As Nella is lost in thought, Sophie approaches from behind, mistaking Nella for Hazel. Livid, Nella calls Sophie “Gina” and storms away.
At the meeting, Nella finds Hazel in her seat cooing over photos of Vera’s dog. Nella notices Vera’s style has subtly changed and attributes the change to Hazel’s influence. Nella sits next to Leonard, the overworked cover artist, and commiserates with his foul mood. Nella admires his first few covers until he reveals “a watercolor rendering of the American flag, with illustrations of various faces weaved among the red and white stripes” (248). Nella recognizes one of the faces as Shartricia, depicted as an exaggerated caricature of Black features, and recoils. She listens incredulously as her colleagues praise the cover and hopes Hazel will “Expose this pickaninny for what it is” (249). To Nella’s horror, Hazel commends the cover. Unable to contain herself, Nella explodes: “You people are un-fucking-believable” (250).
After the meeting, Richard approaches Nella. She assumes he intends to address her outburst, but to her surprise, he asks about the notes. Richard intends to launch an investigation starting with the mailroom, but Nella, who is afraid a person of color might be blamed, politely dissuades him. Richard again surprises her by announcing Wagner will be meeting with Jesse Watson about a project and plans to assign Nella and Hazel as co-editors. Nella is annoyed at the idea of collaborating with Hazel, whom she considers her junior, but pleased when Richard compares her to Kendra Rae. Nella takes a moment to bask in the compliment before setting a Google alert for her own name, “Just in case” (259).
On October 20, Nella is waiting for a coffee order at Starbucks when a handsome Black man, later revealed to be Will from Joe’s Barbershop, offers her a compliment, drops a folded napkin into her hand, and leaves. Flattered, Nella opens the napkin and expects to see his phone number. Instead, she finds a phone number and another note: “WAGNER’S DANGEROUS. YOU’RE RUNNING OUT OF TIME” (262). Nella looks around to see if she’s being watched and texts the number, demanding to know who has been contacting her. The person on the other end, later revealed to be Shani, responds with a meeting location at 100th and Broadway. Nella knows that meeting up with a stranger is dangerous and asks for more information. She waits a few minutes and receives a reply: “Her name’s not Hazel’” (264).
Shani heads to the meeting location with mixed feelings. On one hand, she is directly disobeying one of the central rules of the Resistance: no contact with potential OBGs. On the other, Shani can’t bring herself to watch Hazel destroy Nella’s life, too. Shani decides to go rogue and warn Nella before heading back to Boston to write an exposé about the OBGs, a “river of Uncle Toms flowing beneath the shiny, plastic surface of corporate white America” (266).
As Shani rushes down Broadway, she thinks about her meeting with Kendra Rae and feels admiration for the bold statements the editor made during her infamous interview about her weariness working with all-white authors and her desire to read more Black voices. Shortly after the interview, Kendra Rae overheard a phone conversation between Diana and Richard, and she knew from that moment they were conspiring against her. Kendra Rae suspects that Richard somehow changed Diana and that their childhood friend, Imani, is somehow involved.
Shani feels increasingly uneasy as she approaches 100th Street. Just before she reaches the meeting location, Lynn shouts her name, and Shani realizes that Will informed the Resistance of her plans. Shani drops her cell phone into a nearby trash can just before being ushered into a nearby car.
Nella arrives at the meeting spot 10 minutes early and takes a booth at a nearby restaurant to observe the street. Just as Shani approaches, Nella is interrupted by an older white server who politely pressures Nella to order. Annoyed, Nella acquiesces by accepting a menu. When she turns her attention back to the street, Nella is relieved to see Shani still outside. Shani looks familiar, but before Nella can place her, she witnesses Shani throw her phone into the trash and disappear into a black sedan, pulled inside by a Black woman in workout clothes.
The pace of the novel quickens in Part 3 as Harris offers more clues into the ongoing struggle for power between OBGs and the Resistance. Chapter 12 takes place at Curl Center, which functions as the OBGs’ New York headquarters. Instead of feeling at ease surrounded by mostly Black women, and instead of taking inspiration from Hazel and Richard’s promise to change how Wagner evaluates candidates of color, Nella feels jealous and uneasy. She doesn’t trust Hazel’s motives, especially after Hazel sabotaged her during the marketing meeting. Nella is also baffled by Hazel’s inexplicable new friendship with Richard. Nella’s anxiety comes to a head when she confronts Hazel at the end of the Young, Black ’n’ Lit event. Once again Hazel is more socially adept and seems to anticipate Nella’s suspicions. She plays along by making a conspiratorial joke about code switching. However, as Nella notes in Chapter 13, Hazel is a little too good at code switching, thus further piquing Nella’s paranoia (and envy).
Code switching might also be read as an uncanny element in the novel. Code switching refers to a series of conscious and unconscious linguistic and behavioral adjustments that Black Americans make when shifting between Black and white social contexts. As W. E. B. Du Bois describes in his 1897 article “Strivings of the Negro People,” Black Americans experience a painful sense of double-consciousness, or an awareness of and expectation to perform their Black and American identities separately (Du Bois, W. E. B. “Strivings of the Negro People.” The Atlantic, 1897). To thrive in the white social context of Wagner Books, Nella and Hazel must first privilege their American identities and only draw upon their Black identities for specific reasons, such as sensitivity reads. This means that, to be “successful” in publishing, Nella and Hazel become strangers to themselves, or uncanny, unfamiliar versions of the women they would be in Black contexts. Nella often reflects on the painful racial alienation she experiences when code switching, noting as early as Part 2 that working at Wagner feels like “giving up her Black identity” (53). Hazel, on the other hand, has no such qualms about losing her Black identity. As evidenced by her behavior at the marketing meeting and again at the cover meeting in Chapter 14, she is content to switch between identities—or lose her Black identity entirely—in order to succeed.
In addition to her code-switching superpowers, Hazel’s gift of Smooth’d Out hair grease also sends out uncanny alarms. Given the positive and negative associations with hair grease established in Part 1, it is unclear whether the jar represents Black solidarity or something more sinister. Why is the jar unlabeled? Why, after sabotaging Nella publicly, is Hazel so friendly? Shani’s fourth chapter deepens these suspicions when Kendra Rae asks for a description of the jar. The novel comes full circle to the Prologue, and it becomes apparent that the substance Hazel gave to Nella is the same substance that burned Kendra Rae’s hair and drove her to flee Manhattan.
At Joe’s Barbershop, which functions as the Resistance headquarters, Lynn provides a definition of OBGs, or Other Black Girls, that draws upon elements of science fiction horror: although they haven’t “landed from outer space” (229), Lynn believes the OBGs are “not our kind” because their former Black identities and behaviors have been distilled or removed (229). We learn from Shani’s third chapter that the Resistance has spent years meticulously documenting OBGs but, to Shani’s frustration, has been slow to act. With its secret questions and rigid rules, the Resistance often seems overly bureaucratic. Shani wonders whether it would be more effective for her to branch out and act alone.
By Chapter 14, Shani’s frustrations prevail, and she decides to meet with Nella. Shani’s texts successfully prompt Nella to further research Hazel’s past in Part 4 and trigger a series of events leading to the climax. However, because Shani is intercepted by the Resistance before she can speak with Nella, Nella (and the reader) is missing key pieces of the OBG puzzle. Additionally, because Nella witnesses what she believes is an abduction, she loses what little trust she had in the mysterious notes. By the end of Part 3, Nella’s concerns have escalated from vague paranoia, and she fears her life may be in actual danger—just as Kendra Rae feared once before.
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