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60 pages 2 hours read

The Light in Hidden Places

Fiction | Novel | YA | Published in 2020

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Chapters 7-12Chapter Summaries & Analyses

Chapter 7 Summary

Stefania pays a woman in Lwów to let her have a room for the night. The woman kicks her out at lunchtime. Stefania walks around Lwów till night until the forced laborers return to Janowska. She sees the guard, and he tells her she got Max killed. An officer’s wife went to the bathroom, and Izio thought it was Stefania. Izio confessed everything, and the guard tells Stefania how they tortured him.

Inconsolable, Stefania compares her sorrow to a dam. She cries on a pile of rocks. Some friendly people give her crackers and put her back on the train. At home, she writes a letter to the Diamants to inform them Izio is dead. She lies and says he died quickly. She gives the letter to the Jewish mailman, Mr. Dorlich, and then, missing her family, ventures to her village.

The farmhouse is empty except for her six-year-old sister, Helena, who says the Nazis took their mom and brother, Stasiu, away. Helena has been living off raspberries, and Stefania notices bruises on her cheeks. Her mom left her with the Zielinskis, as Mrs. Zielinski has been a good friend to her mom. She feeds Helena and tries not to think about Izio.

In the morning, Stefania confronts the Zielinski family. Mrs. Zielinski died, and Mr. Zielinski is drunk and smelly. He tells Stefania Germans took her mom and brother to a labor camp in Germany. Her mom promised to pay the Zielinskis, but she didn’t, and Helena wouldn’t clean, so Mr. Zielinski hit her. Stefania curses him thoroughly and promises Helena won’t have to return there.

Together, they walk back to Przemyśl. They arrive after curfew. Stefania tries to coax Helena to run to avoid lethal Nazis, but she can’t breathe and falls on the sidewalk. Stefania screams and cries. She can’t hear her sister’s heartbeat.

Chapter 8 Summary

Stefania’s cries draw the attention of a German, who kicks Helena’s side. She coughs, and the Germans bring them to a police station where Dr. Becker examines and concludes Helena is exhausted and underfed. She has a fever and something in her lungs and needs decent food and rest. He gives Stefania antibiotics and aspirin after she promises not to sell them. He gets her address and promises to stop by tomorrow. Two policemen bring them home. Dr. Becker arrives the next day. He gives Stefania vitamins and grain and tells her she’s doing a good job caring for Helena. Stefania worries about money and food—she needs a job badly. Emilika advises her to bribe the labor office person to move her name to the top of the list.

Helena refuses to eat. The sisters fight, and Helena wants to go home. She doesn’t think Stefania wants her around. Stefania says it isn’t true. She says they’re a team, and she always tells Helena the truth—no matter how bad it is. Stefania shows her the apartment and how to lock the door and put a chair under it. They come up with a special knock so that Helena knows it’s her sister. Satisfied, Helena chews on bread.

At the ghetto fence, Max says there will be an Aktion or action: The Jews without work cards will go to supposed labor camps. Max, Chaim, Henek, and Danuta have them, but Mr. and Mrs. Diamants don’t. Max wants to give his parents as much food as possible. He also asks about Izio: Was it a lie that his death was quick? Stefania tells the truth with a nod. Max thanks her for lying to their mom. He then gives her several things to sell so she can use the money to bribe the official to get work.

Stefania sells the items and amasses 340 zloty. She hands the man at the labor officer her paper with the Polish money tucked inside them. The man says she’ll get a letter, and Stefania thinks she wasted a lot of money.

At night, she sees lights in the ghetto. The Jews scramble onto the trains. Sometimes, they fall. She hears gunshots and cries and barking dogs. She thinks she hears Mrs. Diamant. The next day, Max says Henek and Danuta are at a farm, and their parents are not in a labor camp but Bezec—a death camp. Stefania thinks she and everyone else are in hell.

Chapter 9 Summary

After the Aktion, the ghetto contracts, and the Nazis move the fences closer. Now, Max and Chaim live with the dentist, Dr. Schillinger, his daughter, Dziusia, an older man, Dr. Hirsch, and his grown son, Siunek. The Jews grow desperate and sell anything for food. Stefania sells the things Max gives her—four gold buttons, two coats—and finds clothes for Helena, who plays with kids on the street.

The new neighbor, Mr. Szymczak, tells Stefania about how the Gestapo searched nearby apartments for hidden Jews. She then heads to the ghetto, and the Ordners, the Jewish police, are in charge. Chaim says Henek asked Danuta to marry him. Max says there are rumors of another Aktion. As Stefania sneaks out under the fences, a flashlight shines on her, and there’s a gun beside her head. After a conversation in German, the gun and light vanish.

Near the apartment, SS men find Jews hiding in a warehouse and shoot them and those who hid them. Mr. Schwarzer, who was friends with Mr. Diamant, was a part of the slain family. Helena is outside and runs to Stefania. They rush inside a church. Helena says the SS men knocked on their door, but she didn’t let them in, so they broke down the door, but they didn’t have what the SS were searching for. Stefania then explains to Helena what a Jew is and says it’s not bad to be a Jew.

With Mr. Syzmaczak’s hammer and nails, Stefania repairs the locks and nails rugs over the windows. As winter arrives, she sees and hears more violence but doesn’t tell Helena about it. She thinks about Mr. Schwarzer and how the SS found out he and his family were hiding in the warehouse.

The ghetto fence moves in again, and Stefania goes there, but Max isn’t there. Maybe Max is dead. Max isn’t dead: He’s at Stefania’s door.

Chapter 10 Summary

Stefania orders Helena to make Max tea with sugar and put coal in the fire. Bleeding and hurt, Max says he jumped off the moving train. Stefania wants to know more but not in front of Helena. Stefania cleans him, and Helena asks if he’s a Jew. Stefania says he is—he’s also family. Max tries to sleep but has nightmares. Stefania feeds him, and Max explains what happened.

Around 50 to 60 Jews tried to hide in the cellar, but an Ordner came and threatened to throw a grenade if the Jews didn’t come out. Max thought the Ordner was bluffing, but a panicked mother removed the sandbags to save her little girl. The Ordner took the girl to the Gestapo, and the girl told the Nazis about the hiding place. On the train, Max cuts the wires with dental pliers. Two others jump after him. Chaim was supposed to jump, but he didn’t because he thought Max died. Stefania tells Helena that Max is a secret, and Helena watches Max sleep. Helena giggles because he’s wearing a nightgown, which makes Stefania smile.

Chapter 11 Summary

While Stefania was at the market, Emilika knocked on the door, and Helena said she couldn’t come in because Stefania was sick. Max looks terrible, but he’s less sick. He asks Stefania to go to the farm Henek works at and tell him that Max is alive and not to return to the ghetto.

Stefania goes to the farm and has little trouble communicating with Henek—the guard doesn’t care. Henek thinks Max is overreacting about the ghetto, but Danuta promises to talk some sense into him. On her way back to the city, Stefania worries that the Gestapo discovered Max somehow, but she finds him and Helena safe, sleeping side by side.

Three days later, Danuta shows up at Stefania’s apartment. She ran away from Henek. She doesn’t want to return to the ghetto—it’s a death sentence. Upset that she can’t go out and play, Helena eats all of the butter. Danuta quizzes her on what she’d say if someone wonders about what’s going on in the apartment. Helena comes up with creative answers, so Stefania trusts her and lets her go outside.

As Helena leaves, Emilika arrives. Max hides under the bed, but Danuta remains exposed. Stefania says Danuta is her cousin. She’s pregnant, and her parents can’t find out. Sympathetic, Emilika has Danuta sit on a pot full of hot water, run up and down the stairs, and then sit on the pot again. Emilika tells people in the building about Danuta, giving her a bad reputation.

A strange man arrives with a letter for Danuta from Henek. He wants her back in the ghetto. Stefania is angry that Henek gave the man her address. It could lead to all kinds of lethal danger. The man claims he’s not a killer: He just did it for money. Danuta signs the letter so Henek knows she read it. The man leaves, and Danuta and Max talk: They’re returning to the ghetto.

Chapter 12 Summary

Max and Danuta sneak in under the fence, and Danuta scolds Henek for giving Stefania’s address to a stranger. Henek replies that the man has a trustworthy reputation. Stefania doesn’t want Max to leave, but Helena is safer now.

Helena asks if Max lives in the ghetto, and Stefania lets Helena see a policeman hit a boy with the end of his gun in the ghetto. Stefania says Max lives in the ghetto, and, as the boy demonstrates, it’s dangerous, which is why they helped him and must keep it a secret.

As the temperature drops, the sisters struggle to keep warm and feed themselves. There’s nothing to sell, and they drink hot water for breakfast. Hungry, frustrated, and incensed by the constant violence, Stefania cries. She thinks of Izio and feels better. She explores the attic. The Diamant brothers told her there were dead bodies up there. Stefania doesn’t find corpses, but she discovers the Diamants’ furs. Stefania brings the furs downstairs and throws them on Helena. They can’t keep them. Stefania sells them to a cousin in Lezajsk—it’s far away from a big city, so she’ll get more money. A week later, the cousin visits them with more food.

Stefania continues to bring food to the Jews in the ghetto. One time, a handsome Polish policeman, Markus Berdecki, stops her. He asks for her papers and scolds her for going to the ghetto. He tells her that supporting Jews is against the law. She tells him it’s the other way around: They’re supporting her and giving her money for food. Berdecki says he’s supposed to arrest her and tells her to come with him, but he doesn’t want to arrest her, so he walks fast and lets Stefania wander away.

Berdecki thinks Stefania is pretty. Due to her papers, he knows her address and speaks to her neighbor Mrs. Wojcik. Mrs. Wojcik talks to Stefania and assures her the policeman isn’t thinking about police matters.

Stefania receives a letter from her mom: She and Stasiu are together working in a factory in Salzburg, Germany. She also has a letter from the labor department: She has a job. After midnight, Max shows up: He tried to kill a policeman.

Chapters 7-12 Analysis

This section amplifies the theme of Kindness Versus Cruelty, with one countering the other frequently as Stefania navigates the changes brought by war and occupation. The delayed train and Izio mistaking the officer’s wife for Stefania leads to his death—thus, the idea of the chance of survival tragically disappears. Magnifying this loss is the cruelty of learning how Izio was tortured when the guard cruelly “whispered in [Stefania’s] ear all the things they’d done to Izio” (70). Shortly after, the discovery of Mr. Zielinski’s abuse of Helena further emphasizes that cruelty is not only perpetrated by the Germans. Stefania showcases her brave, bold character by telling him, “For every time you hit her, I’m going to pray that a German soldier comes and beats you ten times with a club” (78). She also shows off her link to Judaism through diction, calling Mr. Zielinski a “miserable schmuck” (78) or a despicable person.

Demonstrating kindness and a bit of needed manipulation, Stefania lies to the Diamants about how Izio dies. Helena’s fall on the sidewalk calls in the motif of chance and survival. The Germans who stop could be mean, but they’re helpful, and the doctor is helpful too. As Stefania takes responsibility for Helena, she shows sacrifice, introducing the theme of The Constant Demand for Sacrifice, which will grow in significance throughout the story as resources are depleted by the war.

Because of their age difference and time apart, Stefania and Helena must get reacquainted and learn to trust each other, as their survival depends on secrets being kept. Cameron uses dialogue to illustrate the tension between Stefania and Helena as they adjust to being together. Helena screams, “You don’t want me here!” Stefania, “That’s not true!” (88). Stefania resolves the discord by telling Helena, “Now we’re a team. I’m going to need you to do what I ask, even if sometimes you don’t understand, and in return, I’m going to promise that I will tell you the truth. Always. Even if it’s bad” (89).

Stefania and Helena become a fearless duo, and Stefania doesn’t generally lie about the dangerous, deadly environment. Helena proves she can follow directions and keep secrets even at her young age.

Stefania’s commitment to the Diamants in the ghetto foregrounds the theme of The Importance of Courage and Determination. Cameron uses imagery to maintain the life-or-death atmosphere. So much is up for chance—anything could lead to their death, like “boots going down the alley at a sharp clip” (91).

Emilika continues to be a useful ally whose kindness proves invaluable to Stefania. Emilika tells Stefania to bribe the man at the labor department—which will pay off later in the story—and the Diamants give her things to sell to get the money to pay him. Once again, Stefania has to improvise and use what she can to help herself and her loved ones survive.

Imagery illustrates the terror of the Aktion. Stefania watches the brutal displacement from the window: “I saw lights in the ghetto, spotlights blazing, leaving the other places inky in the dark. Train cars were lined up, people thronging so thick it was impossible to make out individual bodies” (94). The emptying of the ghetto has begun as Jews are transported to concentration camps. The image displays the dehumanizing cruelty of the Nazis and links to the idea of bearing witness and knowledge. Stefania doesn’t have to watch or listen to the terrible scene, but she does. Amidst the chaos, she thinks she hears Mrs. Diamant, which furthers their deep bond and Stefania’s trauma. She lost Izio, her future husband, and now she loses her motherly figure. The image of the dam symbolizes how Stefania compartmentalizes and subdues her deep sorrow.

After the Aktion, the ghetto fences move in. Stefania uses a simile to convey the ghetto’s deadly symbolism. The Nazis are “drawing in the fences like a noose” (96). Stefania continues to sacrifice her welfare by visiting the ghetto. The moment with the gun beside her head reinforces the risk. There’s a chance the German could shoot her, but he doesn’t.

The massacre of the Jews hiding in the warehouse brings in another historical figure—Renia Spiegel. Cameron bases the Schwarzer group on Renia, whose boyfriend, Zygmunt Schwarzer, tried to hide her and his parents. The massacre and the break-in from the SS also provide foreshadowing: Stefania and Helena will soon be hiding Jews.

The end of Chapter 9 links to the conclusion of Chapter 1 as Max suddenly returns to the apartment. His leap off the train demonstrates bravery and chance. The jump was courageous but also risky since he could’ve died. Max’s story also shows how the Jewish police work with the Nazis. The collaboration is a fraught part of history and reflects the harrowing situation.

Danuta’s arrival exemplifies chance and how the ghetto symbolizes death—even if Henek thinks otherwise. Her dialogue with Helena allows Helena to demonstrate her acumen. She knows how to improvise and lie if someone asks her about who’s in the apartment. Emilika’s interaction with Danuta injects provocative humor, as she has Danuta do some rather foolish things to end her made-up pregnancy. Danuta and Max then take another chance. They return to the ghetto, and Stefania lets Helena witness the policeman beating the boy to help her understand why helping Jews must stay a secret.

Cameron uses imagery to convey the bleak winter. She shows how the sisters struggle to keep warm and feed themselves. Stefania says, “We wear our coats to bed, huddling together beneath the blanket while the wind moans, drinking hot water for breakfast because there is no tea” (133). Chance leads Stefania to the attic and the furs, and it introduces the Polish policeman Markus Berdecki, who lets her evade arrest. Berdecki brings in the theme of gender—he lets Stefania go because he likes her. He calls her “a pretty girl” (141), and Stefania emphasizes the sometimes fraught idea of attraction when she describes him as “a handsome policeman with a chiseled chin and blue eyes” (140). Being female in this situation is inherently dangerous, but sometimes gender can be used to Stefania’s advantage. However, it’s a fine line that becomes more difficult to walk after she begins hiding Jews.

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