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91 pages 3 hours read

Song of Solomon

Fiction | Novel | Adult | Published in 1977

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Part 2, Chapters 13-15Chapter Summaries & Analyses

Part 2

Part 2, Chapter 13 Summary

The narrative switches back to Hagar. After Milkman leaves her in Guitar’s room, she is bereft. Once she returns home, Hagar sits motionless by the window, or lies on the bed without speaking, causing Pilate and Reba to worry about her incessantly. Finally, Hagar rouses when Pilate puts a pink compact mirror in front of her. Hagar sees her reflection and repeats to herself, “No wonder he didn’t want me. I look terrible” (308). She immediately gets up and wants a bath and a clean, ironed dress. She then wants to go shopping to get “everything,” so Reba sells her diamond ring and gives Hagar all the money to shop for clothes and makeup. She also wants to get her hair done at the salon.

Hagar gets caught in the rain, and all of her purchases get soaked. When she gets home, she puts on her new underwear and her new outfit, then puts on the makeup. But everything is damaged, “the wet ripped hose, the soiled white dress, the sticky, lumpy face powered, the streaked rouge, and the wild wet shoals of hair” (314). She breaks down when she realizes what she looks like. Eventually, she catches a fever. After some time spent bedridden, she dies. The chapter ends with Hagar’s funeral, where Pilate and then Reba enter, each singing out, in call and response, the word “Mercy” (317). Pilate goes to the coffin and sings, “I’ll find who’d botherin my baby girl” (318). She then proclaims to those who came to the funeral that Hagar was loved.

Part 2, Chapter 14 Summary

The narrative returns to Milkman and his discoveries in Virginia. He returns to Susan Byrd’s home to ask more questions about Solomon and Jake. Susan explains that she held back information during his previous visit because of the presence of Grace, who is a gossip. But now that she is alone, she tells Milkman that when her Aunt Sing left Shalimar, she left with Jake, “one of those flying African children” (321). Susan assumes that Sing and Jake eventually married. She then explains the legendary story surrounding Jake’s father, Solomon. Supposedly, Solomon had 21 children with Ryna, his wife. One day, he flew up into the sky, escaping his life of slavery, carrying his baby son Jake but leaving his wife and the rest of his children. He ended up dropping his son, who was later taken care of by Susan’s grandmother. Solomon continued with his flight, supposedly flying all the way to Africa.

Milkman is excited as Susan confirms that Sing and Jake were his grandparents, and he grows even more excited about the stories surrounding his great-grandfather Solomon. He considers asking Susan if he could see pictures, but he doesn’t want to reveal his family connection, especially since she feels his skin is too dark for him to be related to Sing.

Part 2, Chapter 15 Summary

Milkman leaves Susan’s house ecstatic, overjoyed by the discovery of his family history. He rushes back to see Sweet and tells her that he wants to swim in the sea. The best Sweet can suggest is a local watering hole where they swim. He tells her what he has discovered, but Sweet is not impressed with the stories of Solomon, reminding Milkman of how he abandoned his 21 children and his wife. Despite her negative assessment, Milkman’s joy is undiminished, and he heads back home, eager to share his discoveries with his family.

He decides to head to Pilate’s house first, but when he rushes in to give her the news, she smashes a glass bottle against his head. When he wakes up and tries to understand why Pilate attacked him, he realizes that Hagar must be dead. He understands his own responsibility for her death and embraces that burden. But he also persuades Pilate to come to Virginia with him. In sharing what he has learned, he explains that the bones Pilate has been carrying are not the bones of the dead White man but the bones of her father. She agrees to travel to Virginia with Milkman so she can bury her father in Shalimar.

When they travel to Shalimar, they find a valley near Macon Sr.’s old farm and bury him there. As they are finishing the burial, Pilate suddenly slumps. Milkman realizes she has been shot by Guitar, who was aiming for Milkman. Milkman tries to help Pilate as she is dying, but there is not much he can do other than sing as she requests. He sings about Solomon’s flight. When she dies, Milkman stands up, unafraid that Guitar will see him. He calls out to Guitar, and Guitar sets aside the rifle and stands up. Milkman offers him his life, saying, “You want my life? […] You need it? Here” (337). With that offer, Milkman leaps toward Guitar and into the valley, finally able to fly.

Part 2, Chapters 13-15 Analysis

The novel’s final short paragraphs emphasize not just flight but also the consequences of flight. While Milkman’s great-grandfather Solomon flew away to Africa, according to the legend, his wife Ryna and his 21 children were left behind in slavery. Ryna went mad over losing her husband, paralleling Hagar’s madness when she loses Milkman. When Milkman gloats about his great-grandfather’s supernatural flight, Sweet is not impressed, reminding him of that flight’s consequences for the rest of the family. Milkman does not seem to understand this lesson until he gets home and Pilate attacks him for what he did to Hagar. Only then does he realize his own role in her death and accept that he must carry the burden.

But it’s not until Pilate is dying that Milkman truly understands the nature of flying. Flying is not merely abandoning all you know in search of freedom. As Pilate dies, Milkman understands that “without ever leaving the ground, she could fly” (336). At that moment, he realizes that the life she has led, a life based on love, is the true liberating flight. Only through love and communion with others can a person be free and take flight. Her ability to shuck convention and find her own way allowed her to both fly and keep her commitments. She does not abandon her family the way Solomon (and Milkman) did. She knows the cost of flying and the treasure of love. As her father has reminded her throughout her life, “You can’t just fly off and leave a body” (332). Even as she dies, there is a strong implication that she will live on, just as her own father lived on past death.

The novel’s ending is ambiguous. When Milkman “flies” toward Guitar, he calls Guitar his brother, and Guitar, who sets aside his rifle, calls Milkman “my main man” (337). Though Milkman’s flight suggests that one or both of them will die, it also suggests that Milkman has finally understood that to fly, one must love. The novel’s final line—“If you surrendered to the air, you could ride it” (337)—suggests that the outcome, whether Milkman and Guitar live or die, is less important than the knowledge that Milkman’s new connection to his history and his family has finally allowed him to soar through the air.

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