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65 pages 2 hours read

Sal and Gabi Break the Universe

Fiction | Novel | Middle Grade | Published in 2019

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Chapters 19-26Chapter Summaries & Analyses

Chapter 19 Summary

As Sal is discharged from the hospital, he begs his parents to let him go to school, where he wants to read Gabi’s article. The doctor sides with Sal, stating that he can go to school if he takes it easy.

On returning to the Coral Castle, the family rushes to the bathrooms. The home’s undersized water heater means only the first person in the shower gets hot water. Fortunately, the recipient of the hot shower makes warm drinks for the others. Papi prepares hot cocoa for Sal and American Stepmom, then broaches whether Sal brought Mami Muerta on purpose. Sal explains his near-accident and how it triggered memories of a similar incident with his mother, resulting in him unintentionally bringing a Mami Muerta to their dimension. Papi accepts this explanation, but American Stepmom, an elementary school vice-principal, correctly suspects Sal is withholding information. Sal deflects by bringing up the remembranation machine, admitting he overheard their conversation.

Getting ready for school, Sal contemplates the dimensional rift in Yasmany’s locker. While he agrees with his father that even one calamitron in their universe is too many, Sal senses that the hole will eventually close. Nervous, he compensates by wearing as many pockets as possible and filling each with various magic tricks.

Chapter 20 Summary

On the way to school, Sal reflects on Culeco Academy. The term “culeco” has various meanings. To generate interest in the new school, the board had conducted a community-wide vote for the academy’s name. When “Culeco” received overwhelming support, the board welcomed the name, embracing chicken and egg puns and winning the community’s support.

In the courtyard, everyone is reading the front page of the school paper. As Sal walks by, students freeze and whisper, intensifying his unease. Gabi rushes up to Sal and hands him a copy of the newspaper. In her article, Gabi exaggerates the chicken’s impact on the student body and broadly implies that Sal is a “brujo.” When Sal points this out, Gabi sincerely insists she didn’t intend the article to have that effect—she failed to bear in mind that, though neither she nor Sal believes in “black magic,” many Culeco students do.

In retaliation, Sal performs a magic trick, making a bouquet appear in the newspaper. While Gabi is distracted by the flowers, Sal flicks a fake tarantula into her face.

Chapter 21 Summary

Sal’s trick immediately becomes a source of regret. While he knew Gabi feared spiders, Sal vastly underestimated the extent of her phobia. Initially, Gabi displays no reaction, but on noticing the fake tarantula, her face transforms into a mask of sheer terror. Collapsing, she screams and scrambles back. When Sal reveals the spider is fake, Gabi breaks into heart-wrenching sobs.

Deeply regretful, Sal prostrates himself before Gabi. Apologizing profusely and sincerely, Sal explains that he never intended to frighten her so profoundly. Gabi accepts Sal’s apology conditionally. Sal must carry her books to the bathroom and endure several arm punches on the way.

Chapter 22 Summary

While Sal waits for Gabi outside the bathroom, Yasmany approaches him. In writing his diabetes paper, Yasmany has learned a lot, and he asks if Sal really has diabetes. Uncertain where this awkward conversation is going, Sal affirms that he does. Yasmany expresses sympathy before mentioning witnessing the incident with Gabi.

To Sal’s surprise, Yasmany is impressed with Sal’s reaction. Yasmany believed that men don’t express their feelings, yet Sal just did. Sal acknowledges that, as performers, they must work to make themselves look good. However, sometimes making things right is more important, as in the case of what Sal did to Gabi. Yasmany states that the entire school now believes Sal likes Gabi as a result. Sal replies affirmatively, only to realize Yasmany means romantically.

Gabi appears, and Sal apologizes again. Gabi tells Sal to make it up to her by allowing her to interview him, a request Sal readily agrees to. Yasmany mocks them both, teasing that they like each other. Gabi playfully chases Yasmany, and they engage in a mock fight. Sal looks on wistfully, acknowledging that his role in their friendship is too new for him to join—not yet at least.

Sal manages to make it to sixth period before being summoned to Principal Torres’s office. While he maintains that his previous visits were not his fault, he takes responsibility for this visit.

Chapter 23 Summary

After the tarantula incident, Sal’s day steadily improves until sixth period. In textile arts, Sal’s group is friendlier, and he starts to relax—then Gladis enters. She avoids joining the knitting pace group and requests to sit on the opposite side of the room, actively avoiding Sal. Another student jokes that Gladis is avoiding Sal because he is a brujo, prompting Sal to express his desire to prove otherwise.

Another student, Aventura Rios, attempts to comfort Sal. Despite having read the article, Aventura doesn’t believe Sal is a brujo. Partly, that’s because she doesn’t believe in “black magic.” Paradoxically, it’s also partly because her aunt really is a bruja—or at least presents as one, as Aventura clarifies, so she isn’t intimidated by Sal. When Sal next glances at Gladis, Gladis throws down her knitting and complains to the teacher, Dr. Doctorpants. The teacher asks Sal not to look at Gladis anymore; though Aventura defends Sal, he agrees to comply.

Determined to prove to Gladis that he’s not a “brujo,” Sal searches the multiverse for another version of himself. An alternate Sal greets him without uttering a word. Sal explains his predicament, and the alternate Sal taps the alternate Gladis on the shoulder. The pair give Sal an ojo turco scarf that the alternate Gladis is knitting, switching it with this dimension’s version of Gladis’s scarf. Unfortunately, Gladis is terrified by the trick.

Once again in the office, Sal faces Principal Torres, who points out that Sal must have planned the trick in advance, as it required the hand-knitted ojo turco scarf. Unable to explain the actual events, Sal accepts the blame, and the principal assigns him two days of detention. Sal must also write a sincere apology to Gladis. As Sal heads out, Principal Torres also asks if he’d be willing to help another student write a paper on diabetes, a request Sal more happily accepts.

Chapter 24 Summary

Sal rejoins classes with Intermediate Theater Workshop, a class that uses masks for acting. Initially hesitant, Sal eventually embraces his “goat” character, head-butting people and chewing notebook paper as Mrs. Waked encourages him.

Gabi waits for Sal after class for the interview, already aware of his detention, and joins him. Contrary to Sal’s expectations, Culeco detention occurs in the school’s library, where various after-school clubs meet. In a separate room, students can freely move between clubs, with teachers assisting detention students with assignments. Sal appreciates the light atmosphere.

During detention, Sal lets Gabi read his apology letter aloud. In it, he explains that he turned to magic as a coping mechanism after his mother’s death, and he expresses shame that his magic frightened Gladis; magic should elicit joy, not fear. The room listens attentively, agreeing that it’s an excellent apology.

Chapter 25 Summary

After Sal completes his apology, he and Gabi assist Yasmany in writing his diabetes paper, with Sal demonstrating how he checks his blood sugar. They only realize detention is over 30 minutes later.

Gabi pulls Sal aside for the interview, but on the way, she stops by Yasmany’s locker, intending to leave a few things for him. Suddenly, Gabi starts yelling. She’s able to see the rift inside. Sal explains the hole in the universe, and Gabi realizes that Sal was telling the truth to the lie detector.

According to Sal, Gabi is the first person to see the rifts. To demonstrate how they work, he reaches through and grabs a chicken from the neighboring alternate universe. They’re both startled when a woman’s head emerges immediately after.

The woman accuses Gabi and Sal of being demons, and she demands, in Spanish, the return of the chicken. Gabi apologizes and returns it. The woman calms down, explaining that their boss requires workers to pay for every missing chicken. She asks them not to steal from the poor workers and returns to her dimension, leaving the hole, once almost closed, now enormous.

Gabi demands Sal explain the process of traveling between dimensions and grabs her phone to record his answers.

Chapter 26 Summary

Sal takes Gabi to the Coral Castle, where she bombards him with questions. Sal vehemently denies being a brujo. While he acknowledges having supernatural powers, he argues against the existence of brujería—though he empathizes with believers, given his mother’s sincere belief.

Sal insists that he does not fully understand how he accesses the multiverse, even as Gabi demands at least some degree of explanation. Sal shifts the focus to Gabi, questioning how she could see the hole in the universe. Gabi concedes that she can’t explain, but still presses Sal on how he accesses the multiverse. Sal describes using meditation techniques and attempts to demonstrate, opening a small dimensional rift. Gabi peers through, captivated.

Sal reveals some of the drawbacks, such as inadvertently bringing back his deceased mother. Acknowledging his fear of the process, he expresses a need for help controlling his powers. Gabi readily volunteers to assist him. As they arrive at the Coral Castle, they notice a moving truck in front of it. Gabi wonders what to do while Sal confidently throws open the door.

Chapters 19-26 Analysis

The central focus of these chapters is on the young characters learning to appreciate each other’s feelings and skills. Gabi must accept that how she frames her stories can have a negative impact on other people’s lives, especially if she fails to take her own biases and beliefs into account. Sal and Yasmany grapple with the true essence of manliness and personal accountability. Taken together, these lessons play into the theme of The Foundations of Friendship; the characters are only able to gain insights through interacting with one another with sincerity, humility, and patience.

For example, while Sal and Gabi share skepticism about brujería, Gabi assumes that everyone shares her disbelief. She is unaware of Sal’s unique empathy for believers, shaped by his mother’s influence, and she doesn’t consider how many genuine believers are among her readership. Gabi’s article thus has a profound impact on Sal, harming his reputation and evoking a sense of betrayal. In turn, Sal’s understanding of pranks as harmless fun clashes with the Gabi’s arachnophobia, and his ill-advised tarantula trick similarly causes harm. In both cases, instead of deflecting or downplaying, Gabi and especially Sal offer apologies, largely setting aside their pride.

In turn, on observing this interaction, Yasmany undergoes a transformative reassessment of strength and manliness. A complex character, Yasmany’s bullying conceals evident struggles at home. In a brief conversation, Yasmany acknowledges Sal’s commendable apology, sharing his own discomfort with expressing emotions. This encounter prompts Yasmany to question societal expectations around masculinity, leading to a pivotal moment where he challenges the stereotypical norms of manliness. By discarding his pride to apologize sincerely to Gabi, Sal shows decency and strength of character that Yasmany recognizes: “You just give feero zucks what people think about you, don’t you” (160). This courage is profoundly admirable to Yasmany, who is constantly on guard about how he is perceived, perhaps in part to ensure nobody suspects the poor state of his home life: “You knew everyone was watching you. But you still got on your knees and said you were sorry. On your knees. In front of the whole school. How’d you do it […] I mean, how did you not care what everybody thought” (161).

The subsequent exchange between Sal and Yasmany unravels the layers of their perceptions, tying into the theme of The Implications of the Multiverse. Yasmany’s self-exploration in this moment, as he realizes that more options are available to him as a man than he originally thought, reflects the nature of the multiverse: just as there are infinite universes, there are infinite opportunities to change. Yasmany, unable to articulate his emotions clearly, admires Sal’s vulnerability and authenticity. When Sal asks why he should be embarrassed to say he likes Gabi in public, Yasmany frowns, struggling to put his intuitive grasp of traditional masculinity into words: “Because you’re a guy, chacho. And guys don’t […]’ ‘Tell the truth?’ [Sal] finished helpfully. ‘Naw, it’s not lying. Its…’ […] ‘Express their feelings?’ ‘Yeah…’” (162). Sal’s willingness to admit fault and seek redemption resonates with Yasmany, challenging his ingrained beliefs about projecting a tough image. Sal, in turn, through Yasmany’s reaction, recognizes the value of taking responsibility for his behavior. In trying to explain his reaction to Yasmany, Sal describes the importance of acting on emotional intuition versus letting societal prescriptions or pride take over:

I didn’t let my brain talk me out of it. I did the right thing before I could make up excuses […] I make up excuses. I need to work on that. I mean, we’re performers, you and me. Our whole life is making ourselves look good. But this time? What I did was too terrible. I had to make it right, no matter how bad it made me look (162).

This transformative conversation prompts both characters to reevaluate their actions and instigates a shift in their feelings. Yasmany, grappling with his insecurities, finds a newfound appreciation for genuine expressions of feeling. Meanwhile, Sal recognizes and takes active steps to overcome his tendency to make excuses, showcasing new maturity and self-awareness. When Sal is sent to the principal’s office later that day, he demonstrates this growth to Principal Torres: “If I defend myself, will that sound like I’m making excuses? I don’t want to make excuses” (166). This question showcases that Sal intends to act on his resolution. Similarly, Sal accepts Principal Torres’s punishment without complaint, a far cry from the previous day’s Sal, who strove to escape any punishment.

Sal continues this growth throughout the day. Sal writes a sincere apology to Gladis, even though he does not feel he is entirely in the wrong. Recognizing that his actions caused Gladis to feel afraid, Sal expresses genuine regret. Similarly, when Gabi interviews Sal, he admits for the first time that he does not understand how the multiverse works, that it is scary, and that he needs help. Throughout the day, Sal—who is generally highly self-sufficient—exposes his vulnerabilities to others and asks for their support and forgiveness. All of these developments illustrate a growing strength of character in Sal.

While both characters continue to evolve throughout the narrative, this section marks a crucial juncture at which Sal and Yasmany embark on a journey of self-discovery and accountability. Their shared realization of the significance of authenticity and responsibility sets the stage for continued growth and development in the narrative.

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