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Olive, eighty-two years old now, goes to the marina for breakfast. She sees a woman who she taught math to, now a famous poet, named Andrea L’Rieux. Olive approaches her, and Andrea asks her to join her for breakfast. Olive is using a cane because she was in a car accident. Olive tells Andrea that she follows her on Facebook. She remembers that Andrea was a sad girl, and never would have guessed she was going to become famous. Olive has read Andrea’s poetry, but doesn’t care for most of it. Andrea is in Crosby because her father has gotten sick. Olive tells Andrea about her own father shooting himself, and Andrea notes that it is unusual for women to use a gun to commit suicide. Olive tells her that when you get old, you become invisible, but there is freedom in that. They part in the parking lot.
Olive tells Christopher, her son, that she had breakfast with Andrea, but he is not impressed. She calls a friend, Edith, and tells her, too. She expects to receive a note in the mail from Andrea, but never does. One day, she sees in the paper that Andrea’s father has died. When Olive goes to get her hair cut, the stylist already knows that Olive had breakfast with Andrea. The stylist tells her that Andrea has been hit by a bus in Boston, but has survived and will recover. Olive thinks she was trying to kill herself, but her stylist refuses to believe it.
Jack died some time ago, but Olive still has all of his clothes. She thinks now that he was her one love, not Henry. It is winter now, and the days pass slowly for Olive. She finds out that the bus driver who hit Andrea had been drunk, and so she must not have been trying to kill herself.
In May, Olive finds a copy of a poetry magazine in her mailbox, with a bookmark marking a poem written by Andrea. The poem is about her breakfast with Olive. Olive is upset. She is also upset when she realizes that someone had taken the time to mark the poem and leave the copy for her. She feels humiliated and paranoid, even though no one will probably read the magazine. Olive realizes that she never would have approached Andrea had she not been famous and had Olive not been lonely. She realizes that Andrea had understood her better than she had understood Andrea. She wonders if she ever knew Henry or Jack at all.
Fergus and Ethel MacPherson have been married for forty-two years. Because of an affair Fergus had early in their marriage, they have spent the past thirty-five years living together without speaking directly to each other. Their house is divided into their separate spaces by lines of tape. They even have two televisions in their living room.
Fergus is getting ready for the Civil War reenactment which he and other men do every year. The reenactments have changed—they don’t have Confederate soldiers anymore, and as of this year, will no longer be staying overnight in tents in the park because it is too dangerous. Fergus reflects that it may be the last year of Civil War Days. Fergus wears a kilt sometimes during the summer. He enjoys it when people stop him to talk about their Scottish ancestry. People used to make fun of him, but they seem to have become more tolerant over the years.
Fergus and Ethel’s daughter, Lisa, comes from New York to tell them that there is a documentary being made about her. She has stopped on the way home to tell her sister, Laurie, as well. She tells them that she is a dominatrix, and that the documentary is to educate people. The next day, Lisa and her mother are talking in the kitchen. Fergus sits on Ethel’s side of the living room so that he can eavesdrop, but they are talking about dish towels. Fergus goes to Civil War Days, but there are less people participating this year, and the park seems sadder. He sees a woman with whom he had an affair at a previous event. Fergus leaves his tent in the park and drives home.
When he arrives, he sees that his other daughter, Laurie, and her son Teddy have come. Teddy is waiting in the car. Laurie, Lisa, and Ethel are inside arguing. Laurie is upset by Lisa’s profession. Lisa continues to try to help Fergus and Ethel understand, but the more she talks, the more upset Fergus gets. She calls him ignorant.
Driving back to the park, Fergus sees a friend, Anita, by the side of the road, her car broken down. He calls her a tow truck and they wait together. Fergus says the world is getting crazier, and Anita says that maybe it has always been so. When the tow truck shows up, Fergus gives her cash to pay. He returns home and sees that Laurie is back, this time without her son. Inside, Laurie, Lisa, and Ethel are watching the documentary on his television. Laurie and Lisa have talked, and Laurie is beginning to come around.
Fergus passes out. When he wakes up, the three women are taking him to the hospital. When Fergus wakes up in the hospital, Ethel is stroking his arm.
Olive wakes up in the hospital. They tell her that she had a heart attack and died. She goes to sleep, and when she wakes up again, her son, Christopher, is there. He tells her that the staff told him she had been swearing. He had thought it meant she was crazy, and that she would rather be dead than crazy. She says that she was someplace “gorgeous;” they brought her back and she was mad. She finds it interesting that she was dead, and tells the doctor that she is not sure they should have brought her back to life. Olive remains in the ICU and catches pneumonia. She realizes that she probably won’t die, but her life will change. Christopher visits often.
Olive is moved to a regular hospital room. Her cardiologist, who she has fallen in love with, tells her she can go home. Christopher arranges home health care, which she pretends to not want; she is actually scared to be alone. The home care nurse, Betty, has a Trump bumper sticker. Olive is horrified and dislikes her even though, as it turns out, Betty was her student years ago. One day, when the next shift nurse comes, it is a woman named Halima. Betty is rude to her. Olive and Halima talk about Halima’s mother, who was in a camp in Kenya, though Halima was born in Nashville. The next day, Olive tells Betty to be nice to Halima.
Betty drives Olive to the cardiologist. Olive tells him she feels badly and cries. He tells her depression is common after a heart attack. Both the doctor and Betty tell her that she is doing well. For her next doctor’s appointment, Olive drives herself. The doctor tells her that she must be a good mother, because her son has visited and called so much.
Olive can live alone again now, but she does not feel safe at home. One day, she falls and can’t get up. She is outside, in the rain, and no one will be looking for her. She manages to get up and go inside. She becomes terrified, and lonely. One day, Halima visits her. Soon after, Olive decides to move to assisted living. She visits her friend Edith at the assisted living apartments and sees them differently now that she will be living there.
One day, Betty visits Olive. Betty is upset that the school principal, who they both know, had died. Betty was in love with him when she was in school and for years after. Olive and Betty talk about her life. Olive realizes that Betty needs her love for the principal.
Olive is now living at the assisted living apartments. She takes a trip to the grocery store in the facility’s van because Edith has told her she needs to be more gregarious. A woman tries to be friendly, but Olive rejects her. On the way home, Olive sits alone while everyone else seems to have friends. She feels as if her world has shrunk. Her apartment gets no direct sunlight. She tries to make friends again, but is snubbed. She worries about the state of the country and Christopher and his children. Finally Olive finds a couple to eat dinner with, Democrats, who she finds dull.
One day, she meets Isabelle Daignault, and invites her to eat with her and the couple. Olive decides to write her memories down, and asks Christopher to bring her a typewriter and a rosebush for her yard. He comes the next day with the typewriter and plants two rosebushes. Olive writes her memories daily. She remembers things that she does not want to about her childhood, and does not type them up. She remembers her mother’s behavior before they found her brain tumor.
She visits Isabelle one night after dinner and hears her history. Isabel’s father died when she was young, and his best friend impregnated and then abandoned Isabel. She and her baby lived with her mother. When her mother died, Isabel and her baby moved from New Hampshire to Shirley Falls. Olive discovers that Isabel is very honest. Isabel tells her that when her daughter was sixteen, she had sex with her math teacher. When Isabel found out, she cut off her daughter’s hair, an act that she still doesn’t understand. Isabel and Olive bond over not being very good mothers.
Olive loses control of her bowels. She drives to the Walmart outside of town and buys adult diapers so that no one will know. At Isabel’s apartment, later, she discovers that Isabel wears them too. Olive says she will buy Isabel’s diapers as well, so that she won’t be embarrassed. That night, Olive returns to her apartment and doesn’t delve into her memories. She finds herself “not unhappy.”
One day, she sees Suzanne Larkin. Suzanne tells her that her mother Louise has died. Isabel and Olive’s friendship develops, and they talk about separating from their children. One day Isabel falls, and she worries that she will be moved from independent to assisted living. After that, she and Olive check on each other every morning and evening. One day, Olive overhears Isabel talking to herself and worries that she might be losing her mind. Isabel confides that sometimes she has conversations with her mother, and uses her mother’s voice to comfort her. After Isabel leaves, Olive tries to talk to her own mother. It doesn’t work, and she is upset.
Olive goes to the memorial for a woman who had died, with no warning, after having a stroke. She tells the woman’s husband that the woman had tried to be nice to Olive one day on the bus, and Olive had rejected her. The husband is very kind to her, and she feels sad. She also realizes, for the first time, that she is going to die, that her life is almost over. She looks at her rosebushes, already blooming. She reflects that she still does not know herself, or understand life. Then she goes to fetch Isabel for supper.
In “The Poet,” the narrative again moves forward in time: Olive is older, and Jack has been dead for several years. In this story, Olive is faced with yet more uncomfortable truths about herself. For instance, when she realizes that she expects a certain type of behavior from Andrea just because of her ancestry, she realizes that she is prejudiced against French Canadians, as was her mother. She also grapples with her reverse snobbery when she remembers her trip to Oslo, on which she refused Jack’s offer of a first class ticket. This is not the first time that Jack has introduced Olive to a luxury that she turns up her nose at—the same thing happens in “Pedicure.” Olive realizes two important truths about herself: Olive is more susceptible to the lure of fame than she knew, since she wouldn’t have approached Andrea if Andrea had not been famous. Second, that Andrea had a clearer understanding of Olive than Olive did of her. Olive prides herself on her sharp insight, and is humiliated to find Andrea more insightful than herself. In fact, Andrea understood her so completely, and her motives for seeing Andrea out, that Olive is forced to accept her perceptions. Once again, we see Olive move forward in her struggle to understand herself and her life.
Fergus MacPherson, the protagonist of “The End of Civil War Days,” similarly struggles to understand a world that seems to have changed too much, and for the worse. Fergus doesn’t connect society’s growing tolerance for his kilt-wearing to the change effected by his daughter and people like her, who want to educate others about alternative lifestyles. He also doesn’t see the parallels between himself and Lisa. As Lisa notes, her role as a dominatrix is about “‘playacting. Dressing up’” (226).
The title of the story, “The End of Civil War Days,” refers not just to the festival, but to the ongoing battle between Fergus and Ethel. Fergus and Ethel’s uncertainty about their daughter’s profession, and their lack of understanding of current culture, draws them back together. They first infringe on each other's spaces in the house, Fergus to eavesdrop and Ethel to use his television. The end of their war truly comes after Fergus’ stroke. When he wakes up, they comfort themselves and each other with the idea that Anita’s children are worse than their own. The uncertainty of the larger world has caused them to suspend their rift. They offer each other comfort.
In “Heart,” the book returns to Olive. Olive responds with characteristic open-mindedness when learning that she died after her heart attack: “I think that’s awful interesting” (242). Years pass between each story, but Olive’s character is consistent. Her resilience allows her to recover from devastating blows to her identity, such as when realizing that she abused Henry and Christopher. She continues to face the future and even death with interest.
After her heart attack, we see a new side of Olive. She experiences fear when she falls and can’t get up. She also falls in love with her doctor, just as Betty falls in love with her former school principal, Jerry Skyler. Although Betty is someone who Olive cannot respect, due to her political beliefs and her treatment of Halima, Olive recognizes that she needs to respect Betty’s love for the principal, and realizes that her love of her cardiologist came from the same place. In this way, Olive is able to find a connection with Betty that comes from a deeply human place that goes beyond their differing political beliefs, reinforcing one of the major themes of the book: Human Connection: Do We Ever Really Know Each Other?
In the final story, “Friend,” Olive finally seems to come to an understanding of herself. When she first moves to the senior apartments, she reverts to her old prickly self, which we now understand as a defense mechanism. She is pragmatic about how her body has changed as a result of age, but that doesn’t stop her from driving out of town to buy her diapers. This story offers another example of how vulnerability and honesty creates true intimacy and friendship. Olive and Isabel get along very well and have many superficial things in common. But their true connection comes from their deepest confessions, from trusting each other, such as when revealing that they were not good mothers and that they both wear adult diapers.
Olive has achieved a state of contentment, what she refers to as “not unhappy.” The key to this seems to lie in her ability to empathize with others, which she has honed throughout the course of the book, and her continued willingness to speak the truth, however uncomfortable or awkward. Olive’s fundamental character traits, her honesty and resilience, have allowed her to transform. When she asks Christopher to bring a rosebush to plant in her yard, it signifies new growth. As always with Olive, the color she displays on the outside reflects her emotional state. Christopher responds by bringing her two rosebushes the very next day and plants them: This indicates that their relationship is on the mend.
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By Elizabeth Strout