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The inspiration to write Neither Wolf Nor Dog comes to Nerburn on a cross-country motorcycle trip as he stops at a small roadside attraction: a stone in the shape of a buffalo. The stone is enclosed within a wire fence and a small plaque explains that the Lakota people once held these rocks sacred. Having spent time with indigenous people across the American Midwest, Nerburn sees the stone as a metaphor for how the indigenous spirit has been dehumanized and restrained in modern America. He notices crushed cigarettes on top of the plaque, and recognizes them as a traditional tobacco offering, a reminder that indigenous people are still present and still honor the earth. He vows to try to close the gap between his experience and the experience of indigenous people.
Nerburn acknowledges that indigenous readers might be skeptical of his efforts in the book, and that well-meaning white writers have misrepresented indigenous people in the past. Some of the stories in the collection are told from his perspective, and others are taken directly from the voices of indigenous elders. He imagines the book as an offering to a future where these voices are united.
Nerburn receives a call from a Lakota woman asking him to come visit her grandfather, who read the books that Nerburn edited alongside students on the Red Lake Ojibwe reservation. Nerburn feels anxious that the books angered the caller’s grandfather: although they were celebrated by many indigenous people, others felt that they opened old wounds or misrepresented Ojibwe stories. The caller promises that her grandfather isn’t angry. Remembering how happy he felt while working with indigenous people, Nerburn agrees to visit.
When Nerburn arrives on the reservation, he buys a pack of tobacco to give to Dan (who is not yet named) as a sign of respect. Dan accepts it, then asks Nerburn whether he likes white people. Nerburn admits that he’s often embarrassed by white people, but that he likes them. Dan tells Nerburn that he’s trustworthy because he doesn’t try to be indigenous. He shows Nerburn his writing, and asks him to help transform it into a book. Nerburn dismisses Dan’s concerns about being perceived as an old indigenous man, inadvertently insulting him. Nerburn spends the night revising the pages to be more accessible to white audiences, then returns them to Dan. The men agree to work together.
Nerburn spends months working on the notes and essays Dan sends home with him. He struggles to see the connection between ideas and stories but tries to find a way to make them coherent for white readers as Dan asked. When Nerburn returns to Dan’s house, he reads one of the pieces to Dan and his friends. The essay is formatted like a speech in which Dan calls for a union between indigenous and non-indigenous people based in forgiveness. He points to the Earth as a manifestation of forgiveness, noting that the Earth sends new growth even after humans harm it with mining and deforestation. When Nerburn is finished reading, Dan seems pleased, but his friend Grover walks away without speaking.
Dan and Grover have a discussion in Lakota, which Nerburn does not speak. Dan explains that Grover thinks Nerburn made him sound like a white man’s stereotype of an indigenous person. Grover tells Nerburn to write Dan honestly, rather than picking out only the idealized parts of him. Nerburn leaves, discouraged. The next morning, he returns to find Dan burning all of the writing and documents he has saved. Dan tells Nerburn he will dictate his thoughts to him directly.
The next day, Nerburn and Dan smoke a tobacco pipe together. Dan chastises Nerburn for not admitting that he was unhappy with Grover’s criticism of the project and Dan’s decision to burn his notes. He tells Nerburn that smoking tobacco is a sacred promise, and that Grover was obligated to tell the truth about his feelings.
Nerburn and Dan drive out to a high ridge deep in the reservation. Dan makes a tobacco offering to the four directions, then tells Nerburn how indigenous people lost their lands. He explains that indigenous nations were willing to let people pass through their ancestral lands if the strangers did not harm the land. When the first European settlers (Catholic priests) arrived, they prayed in a way that made indigenous communities trust them. As years passed, the settlers began taking more and more from the land, until eventually they demanded the land itself. This demand confused indigenous people, who viewed the land as a sacred relative rather than a possession to be taken and owned. They could not understand the European view of land as property. Dan claims that this possessive view of the land killed the indigenous spirit and separated them from their sacred places. He warns Nerburn that the Earth will respond.
Nerburn decides that the best way to capture Dan’s words is just to spend time with him and listen. He begins recording their conversations. One afternoon, Dan’s granddaughter Wenonah refers to him as a “wily old Indian” (55). Nerburn asks whether the term “Indian” bothers Dan. Dan replies that some people are bothered by the term because it represents a mistake that white people never bothered to fix. He insists that the real problem is people applying the word “Indian” to mascots that embody dangerous stereotypes of indigenous people. Even worse than the mascots themselves, Dan says, white people insist that indigenous people not be offended by them.
Dan grows increasingly agitated as he talks about treatment of indigenous people. He explains that the term “native American” is as inaccurate as “Indian,” because indigenous nations pre-date the invention of America. He challenges the notion that indigenous communities came to North America via the Bering Strait, insisting that they were placed on the land by the Creator. He argues that debates over naming distract from white America’s efforts to eliminate indigenous people from the land and from history. Sensing her grandfather is overwhelmed, Wenonah signals for Nerburn to leave.
In the Introduction to and early chapters of Neither Wolf Nor Dog, Kent Nerburn establishes his authorial voice as a well-meaning outsider among the indigenous people he encounters. Nerburn acknowledges that his experiences as a white man distance him from indigenous communities, writing that he “could never experience the sacred presence of the land in the way it was experienced by the Indian people” (3). While promising to treat indigenous stories with care, he also acknowledges that white men “of both good and bad heart” (4) have historically “misinterpreted, misrepresented, and unconscionably exploited” (4) indigenous communities. Nerburn ultimately frames his book as an attempt to “honor [indigenous people] with the gift of my words” (6) and asks indigenous readers to “receive it in the spirit in which it is offered” (6). By framing himself as “a point of identification” (5) for white readers, Nerburn establishes a clear authorial voice distinct from the voice of Dan, Grover, and other indigenous people.
Despite his stated intentions, Nerburn sometimes perpetuates the colonialist thought patterns and ideology he claims to reject, pointing to the memoir’s thematic interest in the Role of Language in Oppression. In the Introduction, he critiques the “myths and false images” of indigenous people that exist in American culture, such as “the drunken Indian, the vicious savage, the noble wise man, and the silent earth mother” (5). However, when Dan shows Nerburn his box full of writing in the first chapter, Nerburn himself uses several variants of these stereotypes. Nerburn wonders if Dan is a “crackpot full of wild religious theories” (17) or “one of those rare chroniclers of life who had managed to catch the living, breathing sense of the times he had lived through” (17). By implying that these are the only options for Dan, Nerburn suggests that the “stereotypes of either drunkenness or wisdom” (11) loom large in his imagination, complicating Nerburn’s active criticism of this type of stereotypical thinking.
Nerburn also implies throughout the introduction that the “Indigenous world” (5) is separate and distinct from “the world into which I had born” (4). He frames his book as a “journey into a place that few non-natives ever experience” (5), and invites white readers to “travel” (5) with him into the indigenous world. Framing indigenous communities as separate and distinct from the rest of America elides the fact that America exists on land stolen from indigenous people—an erasure of The Lasting Trauma of America’s Violence Against Indigenous Communities. These ways of thinking complicate Nerburn’s depiction of himself as a reliably anti-racist narrator.
Nerburn states that the impetus for the book as his relationship with an older indigenous man named Dan. For the first chapter of the book, Nerburn describes Dan simply as “the old man” (12). Throughout their first encounter, Dan’s age is his defining characteristic: Nerburn notes that he was “almost eighty” and his face “was seamed and rutted” with age (14). These descriptions and the repeated references to him as an “old man” reflect Nerburn’s first impression of Dan as a revered elder and source of wisdom. Eventually, Dan introduces himself by name; however, Nerburn continues to refer to Dan simply as “the old man”. As the two men grow closer, Nerburn begins to refer to Dan by name more frequently—a shift that reflects Nerburn’s increasing familiarity with Dan. As Nerburn begins to see Dan as a real person, rather than the stereotypical revered indigenous elder, he uses his name to identify him as an individual.
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