63 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Story Summaries & Analyses
“Mrs. Spring Fragrance”
“The Inferior Woman”
“The Wisdom of the New”
“Its Wavering Image”
“The Gift of Little Me”
“The Story of One White Woman Who Married a Chinese”
“Her Chinese Husband”
“The Americanizing of Pau Tsu”
“In the Land of the Free”
“The Chinese Lily”
“The Smuggling of Tie Co”
“The God of Restoration”
“The Three Souls of Ah So Nan”
“The Prize China Baby”
“Lin John”
“Tian Shan’s Kindred Spirit”
“The Sing Song Woman”
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
In this sequel to “The Story of One White Woman Who Married a Chinese,” Minnie reflects on her marriage with Liu Kanghi after his death. What she values most in her husband is how she felt free to talk to him about anything that came to mind. Unlike James, he never made her feel as if her thoughts were stupid or inadequate. She says that Liu Kanghi is the kind of man “that children, birds, animals, and some women love” (76).
Not only is Liu Kanghi thoughtful toward his wife, but he keeps the promise he made in the previous story to treat Minnie’s child as his own. At one point, he allows a rat trap to snap him to save his adopted daughter, as she had innocently picked up the dangerous trap.
Minnie is careful not to make Liu Kanghi seem perfect. She also talks about his faults, but in an endearing way, rather than in a resentful way:
He had his littlenesses as well as his bignesses, had Liu Kanghi. For instance, he thought he knew better about what was good for my health and other things, purely personal, than I did myself, and if my ideas opposed or did not tally with his, he would very vigorously denounce what he called ‘the foolishness of women’ (77).
Their marriage survives even bigger challenges. Liu Kanghi had a sort of “childish" jealousy and suspicion: “[T]he assumption of the white men that a white woman does not love her Chinese husband, and their actions accordingly” (78). Minnie belongs to the “dominant race” (78), which also causes tension in the marriage. Minnie placates her husband’s insecurity: “You are my superior […] I would not love you if you were not” (78).
Minnie is concerned Liu Kanghi might take a second wife since it was sometimes the custom for a man to take a second wife in China. When Minnie confronts Liu Kanghi on this, he explains that he has no reason to take a second wife: “If a Chinese marries for love, his life is a filled-up cup, and he wants no secondary wife” (79).
The children follow Liu Kanghi as he leaves one morning and ask him for a red ball each. Later that day, he is shot in the head because “[t]here are some Chinese, just as there are some Americans, who are opposed to all progress, and who hate with a bitter hatred all who would enlighten or be enlightened” (80). When his body is brought home, Minnie finds a red ball for each child in his pocket.
While “The story of One White Woman Who Married a Chinese” concentrated on the differences between Liu Kanghi and James, painting her first husband as all bad, and her second husband as all good, the descriptions in “Her Chinese Husband” are more nuanced.
James is only touched on in this story, there is more explanation as to why she married him in the first place:“James Carson had been much more of an ardent lover than ever had been Liu Kanghi. Indeed it was his passion, real or feigned, which had carried me off my feet” (76).
As for Liu Kanghi, there is a more three-dimensional sense of him than in the previous story where he figures in as a heroic figure. In “Her Chinese Husband,” Minnie paints a very realistic picture of a largely happy marriage that also has its share of challenges. Like James, Liu Kanghi has his insecurities, but unlike James, Liu Kanghi is open to reassurance from his wife.
The roles of women in marriage and work runs throughout both of these short stories. In some ways, Minnie is traditional. She does not admire career women and focuses her attention on being a wife and mother. However, Minnie is not afraid to chart her own course in pursuit of that goal. Instead of staying in an unhappy marriage, Minnie deserts James when she finds out about his unfaithfulness. Eventually, she enters into a marriage that brings contempt from other members of the white community. It is Liu Kanghi’s views of marriage and traditional female roles that are more closely aligned to Minnie’s, rather than James's views. Liu Kanghi’s Chinese values regarding family suit Minnie more than the changing values of early 20th-century America.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: