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65 pages 2 hours read

Maisie Dobbs

Fiction | Novel | Adult | Published in 2003

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Part 3, Chapters 21-25Chapter Summaries & Analyses

Part 3: “Summer 1929”

Part 3, Chapter 21 Summary

The narrative returns to Maisie’s present in the summer of 1929. Maisie journeys to the Comptons’ London home, where Carter, still the butler, takes her hat. She tells him she will visit the cook, Mrs. Crawford, before joining Lady Rowan. The cook does not approve of James’s melancholy, noting that men of other classes lack the luxury to dwell on their losses.

Maisie goes to Lady Rowan, who is eager to hear all about her work. She promises to see Maurice, who now lives at Chelstone, where Maisie’s father still works with the horses. Lady Rowan is anxious about James, and Maisie senses the atmosphere of grief and frustration in the home. Over dinner, Lady Rowan explains that James is eager to live on a farm in Kent with other veterans. Lady Rowan explains that the men pool their funds and give up their first names, according to the rules of the founder, Adam Jenkins.

This revelation establishes that James is planning to live in the same place at which Vincent Weathershaw died. Lady Rowan is particularly relieved that while James has some personal wealth, he cannot sign over the family property. She is bereft at the emotional distance she cannot seem to bridge. Maisie remembers seeing James before her departure for Cambridge: his boisterous nature and love for Enid.

Maisie promises Lady Rowan she will investigate the farm, and Lady Rowan offers her use of the family’s car. Maisie sleeps in a guest room, thinking of her younger days as a servant in the same house. She plans her next steps, realizing that her plan may depend on Billy Beale’s loyalty to her.

Part 3, Chapter 22 Summary

Maisie drives to Kent, taking in the beauty of the countryside and the summer flowers. She stops at the local post office for directions to the Retreat. The postmaster warns her to approach cautiously, as the men there are very conscious of their security. Maisie decides to take her feelings of anxiety seriously and visit after consulting with Maurice.

Upon arriving at Chelstone, Maisie has tea with her father. She is touched by his latest gift for her, a new pocketknife with tools. As she approaches the manor house, now Maurice’s home, Maisie reflects that he lived there only sporadically during the war, likely engaged in espionage work for the Crown. His current interests, gardening and pruning roses, bely his intellectual prowess and significance for Britain.

Maurice greets Maisie warmly, and they walk in the apple orchards and discuss the case. Maurice perceptively points out that the case may be more than the search for truth, as Maisie portrays it, given her personal stake in the war. Maisie assures him she has confronted her past already. The two agree to meet again the next day, as Maurice plans to consult with the local police constable. He presents Maisie with a copy of Erich Maria Remarque’s All Quiet on the Western Front, reminding her that war has innocents on all sides, though some use it to “mask” their desire to do evil. He urges her to “consider the nature of a mask. We all have our masks, Maisie” (223).

Part 3, Chapter 23 Summary

Maisie approaches the Retreat, struck by the fact that the farm is walled off and not readily visible. The red roses climbing the wall remind her of the barbed wire of wartime trenches, and she works to master her emotions. A man greets her, and when she notices he is missing an eye, with no prosthesis or mask, Maisie is careful to maintain eye contact. She explains she is hoping her brother might become a resident.

The man introduces himself only as Archie, but Maisie notices that he refers to Jenkins by his rank. Jenkins meets her, and Maisie finds herself “looking for the scars of war. But there were none. None that were visible” (226).

Over tea, Jenkins explains to Maisie that work and community help most of the men, though he alludes to others dying, perhaps by suicide. He explains that first names help the residents recover their lost humanity, taken from them by the military. Maisie introduces her cover story—that she is there on Billy Beale’s behalf as his sibling rather than his employer. She explains that Billy has no facial injury but has reduced mobility and enduring trauma. She agrees with Jenkins that it is cruel that British society accepts its soldiers’ sacrifices but will not fully acknowledge their traumas.

Reflecting on her tour, Maisie wonders about the transactional status of the Retreat’s members, specifically those who benefit from the men contributing their fortunes to it. Maisie is skeptical that the farm has no medical or psychological professionals. She is also curious about Jenkins’s service and personal history. She returns to London, wondering what Billy will make of the environment.

Part 3, Chapter 24 Summary

Billy assures Maisie of his continued loyalty and willingness to live at the Retreat for two weeks to uncover more about the community and its secrets. She explains that they will meet with Maurice before Billy departs for the farm, and she will supply funds for Billy to sign over. The window for success is narrow, as Maisie hopes to have uncovered enough information to protect James Compton from whatever might endanger him there.

As they stand together in front of Lady Rowan’s car, Billy admits that he has not left London since returning from his military service and that he endures frequent night terrors. Maisie recalls Maurice taking her to see Khan years before to encourage her to recount her own struggles. She briefly alludes to “the truth of what had happened to Simon” (236), but no more is explained. Billy says that on the nights he cannot rest, he wanders the streets, finding himself in the company of other silent men. Maisie remembers her work with war survivors in a psychiatric setting, reflecting that the majority are like Billy, making the best of their ordinary lives with the burdens they carry.

On the drive, Maisie briefs Billy about her methodology and priorities, telling him to trust his intuition. Though she does not doubt Billy’s skills, she questions whether she is endangering him, given the uncertain situation at the Retreat. She “prayed for the confidence and courage to face whatever was hidden in the darkness” (237).

Part 3, Chapter 25 Summary

Maisie introduces Billy to Maurice. Billy is struck once more by the farm’s name, reflecting that it might refer to abandoning a position in favor of safety. She lets Maurice and Billy spend time alone, certain her mentor has wisdom to impart.

Before entering the farm, Billy and Maisie plan where and how he can set up a secret telephone line so they can speak in an emergency. Billy rigs a hidden connection to the nearest telephone box. After testing the line, he buries the equipment. The two establish a meeting schedule at a nearby location.

As Archie lets them in and departs to summon Jenkins, Billy is struck by the other man’s injuries. He assures Maisie that he is eager to do what he can to help fellow veterans. He tells Maisie that the wounded men likely want peace more than modern plastic surgery.

Maisie and Billy take tea with Jenkins. Maisie is struck that the farm’s leader ushers her to a comfortable chair but sends Billy to sit in the sun, only urging him to a comfortable seat once he is visibly sweating. He is effusive and uses open body language, professing deep regret. Maisie wonders if this is a subtle exertion of personal authority or an act of real compassion. Maisie finds herself uncertain whether Jenkins is a compassionate man or a master manipulator and resolves that she will solve the case as soon as possible to assure Billy’s safety.

Part 3, Chapters 21-25 Analysis

The return to the present ensures the reader has a new appreciation for Maisie’s investment in her current case and the context of her relationships. Her return to Lady Rowan’s house sees her again navigating two landscapes with more deftness and comfort; while she is careful not to stay long as a guest, she greets Lady Rowan with real warmth and none of her youthful anxieties. She understands Mrs. Crawford’s frustrations with James’s ennui and his mother’s deep fears for him. Maisie, perhaps more than the others, understands what Enid meant to James. Her prewar memories of him are carefree—his forbidden romance and his easy laughter with the servants and his mother. For Maisie, he represents the war’s continued toll, along with her still unexplained grief for Simon.

While Maisie takes on the case with new urgency out of a desire to save James, her deeper loyalty seems to lie with Billy—a man closer to her own background who must manage work and family and his emotional wounds. Unlike James Compton, he epitomizes those Mrs. Crawford alluded to, who must combine their search for a new life with everyday survival. Billy’s willingness to sacrifice comes from loyalty to his fellow veterans and to Maisie, who also served—underlining that the war is not distant for them. Maisie, however, cannot investigate the matter directly, as her gender precluded her from the kinds of frontline service that the Retreat members experienced. Maisie must rely on her own forms of camaraderie and support, no longer as solitary as she was in her youth.

Maisie’s observations at the Retreat underline that not all wounds are readily visible and that words of healing and comfort may disguise a more sinister motive. She finds herself agreeing with Jenkins’s anger that scarred and injured veterans have been discarded by the wider society they sacrificed for. It is telling that to prepare her for the case, Maurice gives Maisie a copy of Remarque’s All Quiet on the Western Front. Remarque’s wartime novel depicts the destruction of a generation and the young protagonist’s increasing alienation from the society around him, so death comes as a welcome release. The work’s depiction of emotional desolation and the power of wartime camaraderie would become an important theme of the 1920s and 1930s literature about the war.

Maisie, Billy, and James are members of a younger generation whose lives were irrevocably altered by the war. Many of its members produced notable literary works about their experiences, including All Quiet on the Western Front. Maurice then telegraphs that he understands the power of wartime trauma for that generation and for Maisie personally.

The Retreat unites the themes of War and Its Consequences and Grief and Memory. The war and society’s subsequent inability to recognize and care for the wounded appear to be the impetus for the creation of the Retreat. Residents can “retreat” from the outside world to a place where they can live and work with others like them. It purports to be a refuge where they can grieve their lost youth, damaged bodies, and fallen comrades and confront their haunting memories of horrifying battlefield conditions.

Maisie’s increasing fears for Billy and doubts about her choice to enlist him underline that she sees the case as a kind of combat with life-and-death stakes. Her memories of Enid and Simon suggest that Maisie suffers from survivor’s guilt. She is eager to avert more tragedy even as she cannot escape the deeper mystery of Vincent’s death. Winspear uses practical details to foreshadow the coming danger and show that Maisie is right to be anxious: Frankie’s gift of a pocketknife and Billy’s emergency telephone will turn out to be key to resolving the case.

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