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Jennifer returns home and finds Mr. Cottis’ suitcase in the hall. Jennifer takes out a photo album detailing her mother’s modeling career and looks through it. Although Jennifer still feels uneasy, she reassures herself with the pictures that her mother is “not a prostitute. A model” (195). Seeking further evidence of this assertion, she goes to unzip Mr. Cottis’ suitcase to see if there are any more recent pictures. She takes the envelopes of photographs into the living room and looks them over, seeing pictures of her mother in little to no clothes. Michelle’s mom arrives at the door and starts knocking, and Carol comes down from the bedroom, surprised to find her daughter there.
Carol and Michelle’s mother talk in the kitchen, and Carol reassures her that Jennifer is fine and that there’s nothing to worry about. Jennifer sees Mr. Cottis sneak down the stairs and out of the house, “[a]s if he had come into the house and stolen something from them” (199). Later that night Michelle calls her up and hatches a plan to get even with Lucy’s brothers. They plan to go up tomorrow morning to the reservoir to their camp there and wreck it. Jennifer isn’t happy with this plan and thinks it’s silly to get further involved with the brothers, but she doesn’t say so.
After the phone call, Carol comes into Jennifer’s room and seems uneasy. She tells Jennifer that Mr. Cottis would like to take some pictures of them together. Carol tells her that she might have to dress up in some clothes and that it will have to be a secret, and Jennifer has a sick feeling in her stomach. Carol insists that Jennifer must do the shoot so that Mr. Cottis will give her more jobs.
The next morning, Jennifer, Michelle, and Lucy set off for the reservoir. Michelle is playing a game where Lucy has to be her “slave” and call her “mistress,” which annoys Jennifer. Before leaving to join them, Jennifer had gone to see if her mother was awake. She sleepily reminds her about the photos later in the day and goes back to sleep, leaving Jennifer feeling uncomfortable and unhappy.
Jennifer, Michelle, and Lucy walk about the reservoir, with Jennifer still feeling uneasy about the day’s events. As they leave the path and walk further into the woods, Jennifer realizes that she doesn’t have to go back if she doesn’t want to; she asks herself, “Why not stay out? Why not stay out all day?” (211). Lucy leads them to a damp, secluded part of the woods and pulls aside branches to reveal a small hole and a tin box. The girls are disappointed, but Lucy opens the tin to reveal food, sleeping bags, tools, and other items.
Jennifer opens a small pouch from the tin and finds coins, cigarette lighters, and pictures of her mother naked. She is upset, thinking that “it didn’t seem right. It didn’t look nice” (215). Lucy also sees the pictures. Jennifer accuses Lucy of taking the pictures from her house and giving them to her brothers. Lucy reveals that Mr. Cottis is her Uncle Kenny, and he gave the pictures to the boys. Outraged and afraid, Jennifer shoves Lucy off the ledge and into the water.
Lucy surfaces in the water and tries to swim to shore. Jennifer finds a rope and tries to throw it to Lucy. Lucy catches the rope and Michelle and Jennifer pull her in to shore. Lucy is soaking wet but otherwise okay. The three girls fight about what they will tell their parents and whose house Lucy will go back to. Lucy runs off into the woods, and Michelle tells Jennifer that she’s crazy. Michelle turns to go, and Jennifer trips and falls while chasing after her. Jennifer finds a baseball bat lying on the ground. Michelle tells her that they aren’t friends anymore, and as Michelle turns to leave again, Jennifer hits her in the head with the bat.
Jennifer’s internal monologue gives us a clear sense of her complicated emotions leading up to the violent act: “She would have no friends. Just her mum and her. Alone together. Her mum who loved her enough to offer her to Mr. Cottis. She felt a sudden sense of loss; as if everything important was walking away. She raised her hand to stop it, to reach out and pull it back. Be my friend, she wanted to say, she might have even said it as she raised the baseball bat and swung it at the back of Michelle’s head.” Stunned by what has just happened, Jennifer sees a feral cat watching them by the empty tin box.
These chapters unveil more about the crime that sent Jennifer Jones to prison for six years. The novel portrays this crime in a mixed light: Jennifer is indeed troubled, angry, and sometimes aggressive. Her final act of murder is a selfish one—she does not want to lose her friend. However, the other information included in the novel allows us to sympathize with Jennifer’s actions. Jennifer has few outlets for her fear and anger and knows that she is coming precipitously close to a dangerous world in the form of her mother and Mr. Cottis. Jennifer’s only haven is with her friends, and when they threaten to leave her, she acts violently in desperation. These passages are the culmination of the novel’s persistent themes of guilt, innocence, and the possibility of change. While Jennifer may indeed be guilty of murder, her actions are not entirely irredeemable. In fact, they are largely situational, suggesting the possibility that Jennifer is not a born killer and that events could have turned out differently had Jennifer been raised in a more supportive environment. The feral cat who witnesses the murder again adds to the mood of uncanny dread, suggesting that Jennifer is like a wild and lawless animal who can only think of its own survival and revenge.
In these passages, Carol’s character arc has hit a new low as she suggests that Jennifer pose for child pornography to make more money and get better jobs. Although Jennifer doesn’t quite understand what she is being asked to do, she realizes that something about it is wrong and does not want to do it. Rather than accede to her daughter’s wishes, Carol insists that Jennifer do the shoot, placing her own financial and personal gain above her daughter’s physical and emotional well-being. These passages make it clear for both Jennifer and the audience that Carol does not truly care about the safety and happiness of her daughter. While she might, in some respects, love her, she is an unfit mother and a poor influence on Jennifer. These chapters emphasize the theme of mothers and the maternal bond, suggesting that not all mothers are able to provide a healthy and supportive environment for their children, and some may even be actively harmful.
Carol’s pornographic photo shoots also play a pivotal role in the scene at the lake. When the girls find the photos tucked away in Lucy’s brothers’ den, Jennifer is sure that Lucy has stolen them and reacts violently and angrily. Later, Michelle is disgusted by Jennifer and her mother and no longer wants to be her friend. In these moments, Jennifer feels her world collapsing around her, with no haven to turn to. These scenes characterize the negative way in which pornography and sex work are viewed throughout the novel, tarnishing both Carol and Jennifer by association. The photographs also represent a recurring motif throughout the story, raising questions of representation, identity, and the gaze of the other.
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