46 pages • 1 hour read
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The postman introduces his pet cat Cabbage as his roommate. The postman was five years old when his mother found an abandoned kitten on the street, soaked with rain and in a cardboard box. She named him “Lettuce” after the label on the side of the box, and refused to give him up even though she was allergic to cats. For a month she cared for Lettuce despite constant sneezes, watering eyes, and a swollen face, until one day the symptoms abruptly disappeared. She believed that one of the rules of the universe was that nothing can be gained without losing something else. Getting anything for free is just theft and means that somewhere someone else must be losing out.
Lettuce died of a tumor 11 years later, peacefully in his sleep. After his death, the postman’s mother was inconsolable with grief until she one day found and rescued another abandoned kitten. She laughed as she pointed out how much the new kitten—Cabbage—resembled Lettuce. It was the first time she smiled since Lettuce died. Four years ago the postman’s mother died peacefully in her sleep from a tumor, just as Lettuce had. Before she died, she asked her son to take care of Cabbage for her. However, fate has a dark sense of humor—the postman is going to die before Cabbage. His mother would be unimpressed with him; she would have said that she should have left Cabbage with someone else.
The postman dreams of his mother for the first time in a long while. He wonders if he imagined the previous day, but then realizes that his phone is nowhere to be found and that his persistent fever and headache are gone. It might not be such a bad thing to get rid of mobile phones; all of his spare time lately has been spent on his phone rather than reading books or watching films. Even when he’s watching TV or travelling or spending time with Cabbage, he’s always on his phone too. Mobile phones have only existed for 20 years, but they’ve already taken over the lives of many people. The postman does wonder, however, if people felt that previous technologies such as the postal system or the internet had a similarly negative impact when they were first popularized. The introduction of new things always leads to the end of the old, so perhaps God was right to accept the Devil’s proposal to disappear surplus items.
Sentimentally, the postman used his final phone call the previous night to organize a meeting with his ex-girlfriend, the first woman he ever loved. They dated for three years and broke up seven years ago. He gets a haircut and new glasses on his way to meet with her. On the tram, he notes that no one is on their phone, and thinks that he might have done the world a favor by removing them. However, phone numbers are still visible on signs and adverts for phones remain. Perhaps phones haven’t truly disappeared, but have instead simply been made unnoticeable so that over the coming years they will cease to exist. This is similar to the effect of a magical hat in the manga Doraemon, which rendered its wearer unnoticeable until his tears of loneliness freed him. The postman figures that the 107 other people whom the Devil previously propositioned must have made other items disappear too, with no one else in the world the wiser.
He arrives at their arranged meeting site under the clock tower in the town square and reads a book while waiting. He is over an hour early. Without his phone, he couldn’t check what time they arranged to meet or call his ex-girlfriend to find out, which is very frustrating for him. He was often similarly frustrated when the two of them were dating because his girlfriend did not have a phone. She lived alone and would call him from a payphone, so he would pick up her calls regardless of his surroundings and even slept with his phone so that he wouldn’t miss her calls. After six months together he managed to persuade her to at least get a landline—a number he called so often that he still knows it by heart. He’s never bothered memorizing other numbers, or indeed any other information saved to his mobile phone; he muses that phones have had a scary effect on people’s brains.
She arrives at their meeting place, seemingly unchanged except for the fact that she’s cut her hair short. She still lives above the movie theater where she works as she did in college. They go to a coffee shop, where the postman informs her of his impending death. He’s initially disappointed with her glib and unemotional reaction, although he then questions why people expect more emotional responses from others than they themselves are able to muster. He explains his recent diagnosis, but does not describe his deal with the Devil lest she think he is having delusions. Instead, he wants to talk about their shared history, asking what little things she remembers about them and their relationship. She is annoyed, so the postman excuses himself to the bathroom to escape. Upon his return, she tells him that she remembers he would often go to the bathroom for long periods of time, and lists his other negative qualities. Although she’s speaking the truth, he is hurt and even heartbroken at her harsh negative judgment.
She also notes that he was always far more verbose over the phone than in person. They spoke over the phone for hours each day even though they lived close to each other, but never had much to say in person. She enjoyed their calls and how passionate he could be when discussing books and music; she did love him. With the ice broken, they catch up and discuss shared memories. She asks after his father and reveals that his mother had always hoped that they would reconcile. She also asks after Cabbage, offering to take the cat in if the postman can’t find anyone else to care for him. The postman’s girlfriend and his mother always got on extremely well; they spent time together without him. The ex-girlfriend came to his mother’s funeral and wept as she held Cabbage through the service.
He walks her home and asks why they broke up. She says there’s no point trying to remember the details, although the beginning of the end was likely their trip to Buenos Aires. It was the only vacation they ever took abroad together. They were initially intoxicated by the passion of the city and the company of Tom, a new friend they made there. Tom was a Japanese traveler who drank heavily each night and regaled them with wild stories of his adventures. One evening he failed to return from a sightseeing tour—he died in a bus accident. They were in disbelief, both grieving for the first time. The postman’s girlfriend screamed out her grief under the roar of the famous Iguazu Falls waterfall, but the postman was helpless to console her. Neither spoke a word during the return flight to Japan; in the silence, they both realized their relationship was at an end. They parted ways without fanfare a week later. The postman feels a morsel of regret at the possibility that if they had been able to talk to each other on the phone as they flew back to Japan together, they might have been able to offer each other support and move their relationship into a new stage instead of breaking up. Phones had made it easy for them to connect, but more difficult for them to know each other in a profound way that could endure in the real world.
They arrive at her home, and she apologizes for saying such harsh things earlier, reminding him of their long-ago promise to learn about love and themselves by admitting what they didn’t like about each other if ever they broke up. They both laugh that she wanted to do it before he died, and the postman realizes that both life and love are beautiful because they have to end. Because he is to die soon, she offers to screen one final movie of his choice for him privately in the movie theater the following night. When he agrees, she asks him what her favorite place in the world is, but he has forgotten. After she has gone, he suddenly recalls that her favorite place is the movie theater because it always feels as though there’s a space waiting for her.
In his excitement the postman wants to call her immediately, but cannot without a phone. Phones remove the anxiety, loneliness, and helplessness of not being able to get in touch with someone, but also remove the hope and impatience of waiting to meet again. He feels a sharp pain in his head as he recalls his mother’s belief that gaining something means losing something else. He suddenly hears himself say that he doesn’t want to die yet, only to turn and see that it is Aloha mimicking his voice. Aloha, who has been watching him all day, says that he must be even less willing to die now that he has a date scheduled. Aloha will make movies disappear next in exchange for a day of the postman’s life. The postman is overwhelmed by the thought of all the movies he’s seen where anything can happen, and cries out that this must be a nightmare before passing out.
The postman dreams of the Charlie Chaplin movie Limelight, which explores the meaning of life. The postman comes to understand that life and death have the same weight, but that death weighs more heavily for him as it approaches. Although he has been living an ordinary and relatively content life, all he has now are regrets. He questions if he has the right to make things disappear to save himself, if life is equally important to all creatures. The postman wakes with a start and is soothed by the presence of Cabbage. He has a headache and fever. Aloha appears, telling the postman not to be so dramatic. The postman was in such pain last night that Aloha feared he was dying, but it’s just a cold. Aloha brings the postman a hot cup of tea and complains about having had to drag the postman back to his flat after his collapse. Aloha’s ability to prolong life has never failed before, and God will be angry with him if he fails now.
Aloha asks if the postman has agreed to make movies disappear. This would be difficult for the postman because he has loved movies his whole life and they are his main hobby. He considers potential alternatives, such as music, coffee, or comic books. He thinks about his favorite music to listen to on different occasions, but concludes that he would find it difficult but not impossible to survive in a world without music. As he imagines giving up all sorts of things, the postman comes to the conclusion that although he doesn’t want to give up anything, all humans really need to survive is food, water, and shelter. Nevertheless, there is an immeasurable sense of loss associated with something actually disappearing that simply imagining the loss cannot capture. He feels guilt and heartache at the thought of all the people in the world who love movies losing them, but agrees to the Devil’s proposition. Aloha allows him to watch one more movie before they disappear. The postman remembers his ex-girlfriend’s offer to screen a final movie for him, and tries to decide what movie to choose.
To decide, he visits the video rental shop where his friend Tsutaya works. The postman has been friends with Tsutaya since Junior High despite their very different personalities. Tsutaya is very shy and solitary, but an expert on movies of all genres, foreign and domestic. The postman finds it thrilling to listen to people talk about things they love, and his friendship with Tsutaya was basically six years of film studies. The postman tells Tsutaya of his impending death and asks for his help in choosing which final movie to watch. Tsutaya is gob-smacked and grief-stricken, but quickly sets his feelings aside to help. As they search, the postman realizes that he will die before being able to watch them all regardless of the Devil’s bargain. There are so many things he won’t be able to do; true regret is the futures that will never come to pass and all the things that have not yet happened. The postman remembers the different movies that have influenced him, applying their wisdom to his situation. All things must have some meaning; dismissing any single thing as meaningless would mean concluding that humans are also meaningless: Movies have made him who he is, as did all the experiences that made up life and movies. He decides on Charlie Chaplin’s Limelight. As the postman goes to leave, Tsutaya begins crying over his impending death. This allows the postman to release his own bottled up emotions and cry too. During his school years, he drew strength from Tsutaya’s authenticity and stoic determination to do what he saw as important without care for external validation. He and Tsutaya console and thank each other, say their tearful goodbyes, and part ways.
The postman’s ex-girlfriend commends him on his good movie choice when they meet, but discovers that the disk has been left out of the rental case—an unfortunate mistake. Rather than choose from the limited selection at the movie theater, the postman instead recalls a long-exposure photograph he once saw of a movie theater screen. Taken over the course of a movie’s full duration, it depicted what looked like a blank rectangle. His life is similar to that photograph; the comedy and tragedy adding up to nothing. He spends two hours staring at an illuminated but blank screen, thinking about what kind of movie his life would be, and concludes that it would need major editing and a full rewrite of the script. The postman has no goals or values to endear him to the audience; his life is just a series of events with no overarching plot, dominated by trivial and boring scenes. He considers the dramatic scenery, props, and editing that would be needed. He’d want the soundtrack to be upbeat acoustic guitar playing over the saddest scenes. The movie would probably not be a box office hit, but he’d like for it to inspire others so that his life could continue after the credits in their memory.
After the two-hour screening, the postman’s ex-girlfriend asks if he’s sad. He doesn’t know. She tells him to come back to see her if he is ever in too much pain, and asks him one final question: Why does she always watch movies with sad endings twice? He remembers why because it was a source of hope for him as they returned from Buenos Aires, and even after they broke up. It’s because she hopes that perhaps the second time around they will have happy endings. She is crying as she waves him off, both of them quoting movies to each other.
Aloha cheerfully makes movies disappear once the postman returns home. Only now that movies are gone does the postman realize how sad he is to lose them, and how much they have helped him and contributed to who he is. It is similar to a movie his mother liked, La Strada, wherein an impoverished young woman is abused and abandoned by her husband. The woman dies, and only when he returns to the village years later and hears a song his wife used to sing does the husband realize in despair that he truly did love her even though he was incapable of treating her well. The postman tries to console himself that sustaining his life is more important, and agrees without listening to Aloha’s next proposed object. It hasn’t even crossed his mind that it might be Cabbage.
This section develops the dramatic conflict of the postman’s attempts to prolong his life at the expense of sacrificing various objects and then grappling with the consequences of his decisions. There is a bittersweet mix of humor, sentiment, and deep pathos in this section. For instance, the postman’s opening declaration that Cabbage is his roommate is comedic, while his conversation with his ex-girlfriend is also often humorous. Meanwhile, the looming threat of the postman’s illness and Aloha’s unpredictable whims maintains tension, while the exploration of grief and loss through the death of Tom is somber. Particularly striking are the juxtaposed images of his ex-girlfriend’s screaming grief into the violence of the waterfall, and the quiet loneliness of their silent return journey home.
Particular focus is on the theme of Valuing Objects, Relationships, and the Everyday, as the postman comes to see how he has taken for granted or let go of the important but mundane aspects of what gives life meaning. The postman’s most important relationships, with his ex-girlfriend and the best friend of his youth, are all rooted in the past, highlighting the isolation of the postman’s present life. Similarly, losing phones and movies grants the postman the perspective to appreciate their past value—movies have formed some of his identity, while phones have allowed him to make what connections he has had to other people. He also, through his contemplation of quotes from Charlie Chaplin’s Limelight, begins to develop an understanding of the interconnectedness of people and objects according to Buddhist and Shinto philosophies, as well as the shared and collective meaningfulness of life and his components. Eventually, this kind of philosophical rumination will enable him to reject further bargains with Aloha and accept his death; here, his perspective has already shifted from the desire to survive at any cost to a contemplation of the impact of his decisions on others.
This chapter focuses on Juxtaposing Gain and Loss by showing the fallout of the postman’s decision to accept Aloha’s bargain and the ways it plays into the postman’s mother’s observation that acquiring something requires letting go of something else. Only after he has made his decision to sacrifice certain objects to gain life does the postman see what he has truly lost. Giving up phones means losing the ability to contact anyone he knows; giving up movies means never again watching the art form that has shaped him and his deepest friendship. The postman compares the experience of rewatching a movie to his changing perspective on life and loss: Sometimes a movie makes a completely different impression on a rewatch it because the viewer has changed. Watching ET as a child, the postman held his father’s hand feeling overwhelmed with emotion at the scene with the flying bicycle. He was equally moved rewatching the movie 25 years later, but was also very aware of the differences between his present self and child self—including the loss of his parents. Movies therefore illustrate how everything has a price. He has to lose movies to gain the perspective that allows him to acknowledge their importance, just as he must make the decision to accept death to truly appreciate the value and significance of life.
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