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96 pages 3 hours read

Healer of the Water Monster

Fiction | Novel | Middle Grade | Published in 2021

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Symbols & Motifs

Pond

Pond symbolizes the natural world that has been exploited and destroyed by humans. Many of the Holy Beings whom Nathan encounters embody aspects of nature, such as the moon, rivers, and the ocean. Pond is the Water Monster of the Agave Pond, and his health is inextricably tied to the condition of his waters. When energy corporations exploit the Diné Homelands for their uranium, Pond suffers radiation poisoning from a uranium spill. This destructive, preventable action dries up the agave pond, drives away the animals who depend on its waters, and subjects the region to a decades-long drought. Nathan journeys to the Third World to attempt to save Pond and restore life to the desert. During his quest, other characters share information that reinforces Pond’s symbolism.

Pond’s sister tells Nathan that her brother’s illness is not an isolated incident. She laments, “It seems like we all are becoming sick in the Fourth World” (310). Her words show that Pond’s sickness is a microcosm of the broader destruction inflicted upon bodies of water and the natural world as a whole. Indeed, Seed Collector’s entire purpose speaks to the scope and urgency of this destruction. As First Turkey’s assistant, he gathers seeds that are “untouched by human manipulation” so that the Holy Beings can begin the work of creation again when “humans completely ruin the Fourth World” (306). These scenes show that Nathan’s quest to save Pond is part of a broader struggle to preserve life. Humans’ exploitation of the environment ultimately dooms the kind water monster despite Nathan’s valiant efforts to save his friend. Through Pond’s tragic end, Young creates a moving symbol for the destruction of nature and urges his readers to take action to protect their world.

Water

Water is a motif that develops the theme of The Importance of Respecting Nature. While Pond’s sickness plainly connects to this motif and theme, Young explores water’s significance in other ways throughout the novel. At first, Nathan is far more accustomed to urban life than the desert, and his relationship with water reflects his initial disconnect from nature. He sees the lack of running water in Nali’s mobile home as an irritating inconvenience rather than a reminder that water is precious. In Chapter 2, Nathan shows that he does not yet grasp water’s significance by throwing away a mostly empty water bottle. The usually patient Nali demonstrates the importance of respecting nature by telling her grandson to take the bottle out of the garbage and declaring, “Water is not trash” (20). Another, larger example of humans’ efforts to protect the environment occurs when Nathan’s mother documents a protest against pipelines on tribal lands. The protesters chant, “Water is life,” reinforcing the connection between the motif of water and the tremendous significance of nature (161).

As the story progresses, Nathan gains a greater appreciation for nature thanks to his friendship with Pond. This enhanced respect for the environment shines through his changing perspective on water. The water monster songs grant Nathan the ability to move water with his mind and alter its state of matter. His newfound supernatural powers make him more aware of the water that sustains his own life and the local ecosystem around him. These powers prove vital in Chapter 24 when Nathan’s father wishes to bring him home to Phoenix. The strength of Nathan’s determination to help Pond gives him the power to freeze a bottle of water, proving the truth of his story and allowing him to stay.

This scene calls to mind the incident with the water bottle in Chapter 2 and shows how far Nathan has come in his relationship with nature. During Nathan’s quest to the Third World, he uses his magical connection with water to shield himself and his companions from many dangers, including giant crabs and an angler fish that seek to devour the hero. Nathan can pass through these obstacles unscathed because he respects nature and understands his place in the natural world. Even after Pond’s death, Nathan remains committed to protecting the environment. By teaching the newly hatched water monster the lullaby, he works to end the drought and restore the local ecosystem to its former lushness and vitality. Young chose to end the novel with one last instance of the motif of water—the “tiny pearl-sized bead of rain” that falls as Nathan and Pond’s sister sing together (336). This miniscule but precious raindrop shows that even the smallest act of respect toward the environment has meaning.

Communication

The motif of communication supports the theme of Finding the Hero Within. At the start of the novel, Nathan avoids talking about his problems and grows frustrated when his father and grandmother try to discuss his emotions with him. Nathan becomes much more open to communication as he becomes aware of his heroic potential. Indeed, the boy is special precisely because he possesses the rare ability to speak with Holy Beings. When Darkness discovers that Nathan is filled with intelligence, compassion, and bravery, the boy’s reward is a communication stone forged from his own heroic heart. This stone develops the motif of communication by helping Nathan talk with and learn from the Holy Beings. Importantly, Nathan continues to master the water monster songs even when he temporarily loses his communication stone. This shows that the true power of communication lies in a sincere desire to understand rather than a magical object. Without the stone to translate for him, Nathan studies the songs in Navajo, and there is a direct correlation between Nathan’s confidence and his knowledge of his people’s language.

Throughout the novel, oral tradition is a particularly important form of communication. In the Prologue, Nali tells Nathan a portion of the Navajo creation story. The legendary figures in this tale, such as Mother Water Monster, later become part of Nathan’s heroic quest. Music is another form of oral tradition, and learning the water monster songs is an essential part of Nathan’s arc as a hero. The songs that Pond teaches Nathan hold the key to restoring life to the barren desert, and they protect the boy during his journey to the Third World. The motif of communication takes on additional significance when Darkness reveals to Nathan that Holy Beings depend on oral tradition to preserve their memories: “It has been the responsibility of beings of thought, your ancestors through to you, to remember the histories and share the stories out loud, so we, Holy Beings, are able to remember” (260). People’s preoccupation with modern conveniences distracts them from their history, causing the Holy Beings’ memories to fade. This stresses the motif’s importance and gives Nathan’s knowledge of traditional songs and stories even greater weight.

In both the plotline with his family and his supernatural adventures, Nathan uses communication to foster hope, understanding, and change at vital moments. When Uncle Jet expresses suicidal ideation, Nathan’s direct, compassionate words keep the man from surrendering to despair. Later in the story, Nathan’s father wants to bring him back to Phoenix. This time, the boy is open about his feelings, talks the situation out, and explains that he needs to stay because of his quest. When the hero faces the fearsome Mother Water Monster, he avoids a confrontation by singing the water monster songs and explaining his mission. After Pond’s death, Nathan sings the protection song with the men at Uncle Jet’s ceremony, and the music helps him feel whole again. This is important because the hero’s work is not over yet. At the end of the novel, Nathan keeps oral tradition and hope alive by passing the songs on to Pond’s little sister. The motif of communication illustrates Nathan’s growth and develops one of the novel’s major themes.

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