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In language arts class, Nick makes a big show of forgetting his “frindle.” His friend John supports the charade by digging one out of his backpack and tossing it to Nick, who intentionally misses the catch. Mrs. Granger quickly steers the class back on track, but she asks to speak to Nick after class. She warns him against disrupting her class again, with eyes that “were lit up, but it was mostly light, not much heat” (40). Nick responds by bravely—with feigned innocence—asserting, “But I really didn’t have a frindle with me” (40). Mrs. Granger disapproves of his game, but she dismisses him.
Nick and the fifth-grade class anger the teachers—especially Mrs. Granger—when they ruin their class picture by smiling at the camera and saying “frindle” instead of “cheese.” Mrs. Granger implements a new punishment: Anyone heard saying the word frindle must write lines after school that say, “I am writing this punishment with a pen” (43). When students continue using the word nevertheless, Mrs. Granger pulls Nick aside. Nick feels a thrill, like his teacher summons him to “a conference during a war” (43). When Nick still refuses to renounce his word, she has him sign the back of an envelope containing a letter addressed to him. Mrs. Granger says she will send him the letter when this game is over, and he will know he’s reading the same letter because of his signature. As Nick walks away from the conversation, he realizes that Mrs. Granger enjoys (and wants to win) the game as much as Nick.
The next day, nearly 80 students ask to borrow a frindle from Mrs. Granger, and nearly 80 students stay for after-school detention. The principal receives calls from frustrated parents whose schedules are affected by detention, so she plans a visit to the Allen home.
Mrs. Chatham sits with Nick and his parents in the living room, and the principal explains the story from her perspective, citing a sense of “rebellion at the school, with no one respecting the rules anymore” (51). Mr. Allen seems embarrassed by the confrontation, but to Nick’s surprise, Mrs. Allen questions whether Nick’s word causes any real harm. Nick sees the conversation as a chess game; Mrs. Granger sent her most important piece—Mrs. Chatham, the black queen—but Nick now realizes that he has a queen of his own: his mom. After Mrs. Chatham leaves, Mrs. Allen reminds Nick the importance of respecting his teachers. Nick apologizes for telling everyone to ask Mrs. Granger for a frindle, and he promises to be respectful from now on. However, the word doesn’t only belong to him now; it belongs to the whole class. Nick realizes that he probably couldn’t stop other students from using his word even if he wanted to.
The primary conflict gains traction in this section when Nick and his classmates refuse to use the word “pen,” aptly described by Chapter 7’s title, “Word Wars.” Nick’s overextended oral report was a one-time event, but now, he digs his heels for the long haul, making frindle a permanent part of his school’s vocabulary. Nick fights his battle on technicalities, careful to not break any school rules. After frindle’s introduction to language arts class—in which Nick makes a production of missing his frindle—Mrs. Granger calls Nick to her desk, her perceptive eyes focused. Fairly certain that he hasn’t broken any rules, Nick innocently defends himself: “‘But I really didn’t have a frindle with me,’ said Nick, amazed at his own bravery. And hiding behind his glasses, Nick kept his eyes wide and blank” (40). The narration betrays that Nick does feel a little guilty for the trouble he causes; he wouldn’t need to feel brave if he wasn’t maintaining a façade. Additionally, in contrast to Mrs. Granger’s “lit up” eyes, Nick keeps his own eyes the picture of innocence. His guilt reveals that his game isn’t entirely good-spirited, even if he doesn’t comprehend exactly what he’s doing wrong. Nevertheless, if Nick can toe the line between the game and the rules, he knows that his word can continually grow.
In this section, two analogies are used to describe the growing tension between students and adults around the frindle phenomenon. The first analogy compares two countries at war when Mrs. Granger asks to speak to him after class: “Nick was excited. It was kind of like a conference during a war. One side waves a white flag, and the generals come out and talk. General Nicholas Allen. Nick liked the sound of it” (44). Nick acts as the ringleader, and he accepts responsibility for defending his side of the conflict. Thinking of himself as a general empowers and emboldens him during this conversation: “Nick tried to look brave, like a good general should” (45). However, Mrs. Granger simply gives him an envelope to sign, which he will receive when the game is “over.” If Nick expected Mrs. Granger to yell during their conversation, he underestimated her own war strategy, the final pieces of which she doesn’t reveal until a decade later. This chapter, titled “Mightier than the Sword,” refers to the saying, “The pen is mightier than the sword.” Even though Nick visualizes this conflict as declared war, the power of language (i.e., “the pen”) proves the true agent of change as frindle’s popularity spreads like wildfire, soon growing faster than anyone can snuff.
The second analogy appears in Chapter 9, titled “Chess.” Mrs. Chatham, Lincoln Elementary’s principal, arrives at the Allen home dressed in a black raincoat. (Nick later likens her appearance to a chess board’s black queen.) Nick expects the conversation to result in a relentless reprimand, but the conversation turns unexpectedly when Mrs. Allen questions the validity of Mrs. Chatham’s concerns: “Nick didn’t know it until the attack was under way, but he had a powerful defender of his own—good old Mom, the white queen” (53). Mrs. Allen—using her adult influence—helps legitimize Nick’s claim that the students’ game is harmless and creative. However, whether Nick knows it or not, the chess game continues throughout the entire book, with Mrs. Granger three steps ahead even when Nick starts believing the game is over.
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By Andrew Clements