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In 1979, Clare ran six miles home from Highway 101 along the Elk River. Every farm landmark he passed was familiar, as were the contours of the road itself and all of the people who drove their log trucks by. Two miles away from his house, Clare saw a sign marking the start of the Siskiyous National Forest.
In 1994, Clare lived at the edge of corn country in southeast Michigan. He found a book titled Clearcut: The Tragedy of Industrial Forestry. Contained in the book were images of forests after clearcuts, new and old growth forests, and tree farms. He flipped to the section about Oregon and found the Siskiyous. As a child, Clare had cut firewood from the detritus left behind by clearcuts (the logs, branches, and stumps that were too small to be used by the industrial loggers); he and his father would spend all of October gathering enough firewood to last through winter. A caption in the book explained that a clearcut near Port Orford had caused a massive slide of mud, rock, and logging debris that washed downstream into the Elk River before ending up in the ocean. Clare recognized the names of the places but kept reading. Clare later discussed the book and the pictures with a friend who also cared about environmental justice, explaining the images and destruction without diving into his homesickness for the place the images depicted. When his friend asked him what he would see if he returned to the Elk River, he tried to describe the impact the logging debris would have on the salmon spawning, wondering if the fish would turn up dead with metal in their bodies or if their spawning beds would be completely washed away.
Clare took a number of years to write this essay, as he struggled to balance his homesickness for the Elk River and Port Orford with his urban politics, which condemn the environmental destruction caused by logging. As a child, he grew up in a new growth forest, climbing trees and wandering through the lush greenery. He also grew up familiar with log trucks, CATs, and the smell of wood chips. He is a backpacker who knows how to read a topographical map and finds his favorite trails among the quiet of old growth forests. He is also an activist, and though he has not done so yet, he knows how to pour sugar in a CAT’s gas tank. He has not yet blockaded a logging executive’s office or chained himself to a tree slated for felling, though he maintains he would. He is a socialist and anarchist who thinks logging corporations are corrupt and the forest service is complicit. However, he still loves the smell of bark chips and knows out-of-work loggers in dying logging towns.
In Port Orford, Clare’s teachers taught him that trees and salmon were infinite resources. Clearcuts were good, the teachers argued, as they encouraged the growth of fir and pine, which were profitable. They also taught that clearcutting was beneficial for deer and other wildlife. The students, Clare included, did not question this propaganda. They were not taught about the importance of old growth forests, their ecosystems, and the animals, like the northern spotted owl, that rely on old growth forests to survive.
In 1979, Clare took part in the Youth Conservation Corps, a summer work program for teens. In the Siuslaw National Forests, the corps built fences, made trails, maintained campgrounds, and picked up trash. One week, the corpsmembers cut down all trees less than four inches in diameter. Clare enjoyed the work and the aching of his muscles, but the other teens didn’t. He also learned about salmon hatcheries, though he was not taught the difference between hatchery raised salmon and wild salmon. Hatchery salmon are more homogenous and susceptible to disease, but the hatcheries are necessary because of the damage caused to spawning beds by logging debris. Overfishing was not discussed in the Port Orford schools, which were funded by timber taxes and used textbooks written by the logging industry. The Forest Service workers also had a vested interest in teaching students a narrative that fit their agenda. All of this worked in tandem to put the interests of logging and hatcheries at the center of the educational curriculum.
When Clare left Port Orford, he discovered people who saw salmon as patties in the grocery store and had never been to a paper mill. Some of the city people had a cartoonish, romanticized view of the natural world. Clare listened, taking in their views about the danger of nuclear power and their reverence for the fish and trees. He no longer took the beauty of the Siskiyous for granted, and he began to do his own research into environmental justice. He saw the trees and fish as their own beings and acknowledged the complex relationship humanity has with them. He became more and more progressive in the city, where he had anonymity and access to more diverse cultures and ideas.
In 1989, Clare backpacked alone in Washington’s Olympic Peninsula. As he moved through the trails, he encountered old growth forests, clearcuts, and a second growth forest. The lines between each were unmistakable.
Now, in Michigan in 1994, Clare still yearns for home, though it is irrevocably marked by logging and commercial fishing.
Clare meditates on the idea of loss of home. Homesick is not the right word, so he considers the words “queer,” “exile,” and “class.” He begins with the word “queer.” As a youth, he never felt like he belonged due to his cerebral palsy, his discomfort with gender, and his identity. Clare uses the word “dyke” to refer to his lesbian identity, reclaiming an anti-gay slur that he feels best describes his lesbian experience. When he left Port Orford to attend college on a scholarship, he realized he was a lesbian and always had been. Throughout his adult life, he has sought out different LGBTQIA+ communities. However, when he thinks about the idea of home, it is not the LGBTQIA+ community that comes to mind; it is Port Orford.
However, there are no queer people in Port Orford—or at least Clare has never found them, as the threat of anti-gay violence looms large. Clare acknowledges that if he moved back to Port Orford and lived quietly and privately as a lesbian, no one would shoot him or throw rocks through his windows, but they would judge him privately. He would live his own version of “don’t ask, don’t tell.” While some urban activists would look at this arrangement with disdain, Clare argues that middle class, liberal heterosexual people similarly erase the LGBTQIA+ community. He gives the example of his aunt Margaret and her lover, Barb. When Clare’s grandfather died, Margaret attended the funeral with Barb, though Clare is sure Margaret never introduced Barb to any of the family as her lover or partner. Still, Barb sat with Clare’s immediate family and openly comforted Margaret at the funeral. The “rednecks” of Clare’s family tacitly accepted Margaret and Barb’s relationship, even if they did not acknowledge it.
Clare then explores the term “redneck,” giving its denotation of “a member of the white rural laboring class,” its connotation of a person with a “provincial, conservative, often bigoted sociopolitical attitude,” and its usage by queer progressives to mean a person who is “racist, violent, uneducated and stupid (as if they are the same thing), woman-hating, gay-bashing, Christian fundamentalist, etc.” (33). Clare explains that the racism that Barb, as a Black lesbian, experienced from “rednecks” was “muffled” (though in the 2009 edition, Clare acknowledges that the racism Barb experienced was likely worse than he was able to understand at the time) (33).
Clare would not walk hand-in-hand with a woman in Port Orford, nor would he trust that a lesbian who did not grow up there would be safe from anti-gay violence. Moreover, if Clare was subjected to anti-gay violence in Port Orford, it would shatter the illusion of safety, as the perpetrator would be someone he knows. If he experiences harassment in Ann Arbor, he still has the anonymity of the larger community to make him feel safer and more secure; bigots do not know who he is or where he lives, which is a luxury not available in Port Orford.
Clare considers the term “exile” and wonders if it applies to his departure from Port Orford, which is undoubtedly related to his queerness. Exile, Clare argues, “implies not only loss, but also a sense of allegiance and connection […] an attitude of mourning instead of good riddance” (35). To contextualize the complexity of his feelings of exile, Clare shares the truth of his physical and sexual abuse by his father and other adults in the Port Orford community. For years, Clare could not return to Port Orford and be physically safe.
Class also plays a role in Clare’s exile. In Port Orford, jobs are scarce. Fishermen have started ferrying drugs. Loggers cut brush. The only steady jobs are teaching or working minimum wage tourism roles. If Clare moved back to Port Orford, he would struggle to earn enough to make ends meet even if he got a job that he could do with his low fine motor skills. He left to avoid poverty. However, he grew up middle class by community standards; his father was a high school teacher, and his mother had a doctorate. They had food on the table, a somewhat large house, and books to read. Still, they wore hand-me-downs and balanced paying dental bills and buying new shoes, which would mark them as outsiders in a truly middle-class community.
Clare left at 17 to attend college in a city. His best friend, who was poorer, stayed behind and married her boyfriend. Clare disparaged her decision before years away and maturity helped him realize it was financially necessary for her. Clare also later realized how the loss of his connection to the landscape, the loss of the neighborly working-class community, and the loss of the easy pace of life and small-town trust have shaped him. Clare’s parents had also left their homes behind to make new lives, his father leaving North Dakota and his mother impoverished Detroit, both to attend college. They ended up in Port Orford, still insecure in their financial position. Their children are possibly middle class; Clare’s brother is a high school teacher, his sister a low-level administrator, and Clare a bookkeeper. Nevertheless, Clare’s parents missed aspects of their prior lives, like Clare misses parts of his life in Port Orford.
Clare questions if queer identity is worth the losses. Clare argues that queer identity, particularly for him, is rooted in urban spaces. Urban spaces also helped him understand that he is not truly middle class. He at first attributed his differences to the divide between rural and urban life. He thought of himself as “a country bumpkin” (40), assuming that was why he did not know certain things. However, as he discovered middle-class writers able to afford things he could not, he felt confused about his class standing, sometimes referring to himself as mixed-class instead of middle-class.
The difference between rural and urban experiences is integral to Clare’s politics. He recounts the celebration of the 25th anniversary of Stonewall in New York City, which featured numerous wildly expensive parties for well-off, urban members of the LGBTQIA+ community while failing to include lower-income and more rural LGBTQIA+ people. Clare then dives into the idea of rural organizing on behalf of the LGBTQIA+ community. Clare wants to center rural and working-class voices in positions of leadership and work to address economic injustice that disproportionately affects those in rural communities. He also discusses how bridges must be built in the rural communities, sharing the example of the trust he built with a sheriff in rural New York while working with other gay women to protest a US army weapons depot. That trust allowed the sheriff to gain understanding of the queer community and work more proactively to combat anti-gay bias.
Clare acknowledges that leaving to form a “dyke” community did not change his class standing but says that it was necessary for him to survive and recover from the trauma of his childhood abuse. He thinks back to a trip he took to rural Oregon with a friend and encountering the rural “dyke” community—a community he acknowledges he cannot join because he knows he could not find economic opportunities to survive. He then explicitly states that his exile is linked to queerness, exile, and class. He ends by reiterating his desire to center rural, working-class voices in the fight against rural anti-gay bias.
Clare juxtaposes the fight for the survival of the northern spotted owl against the survival of the loggers that make their living off industrial logging. He characterizes the loggers as brutes, while the northern spotted owl epitomizes the problems and environmental destruction caused by logging. This in turn inspires pro-logging activists to create bumper stickers with phrases like “save a logger, kill a spotted owl” (52).
Clare recalls reading voraciously as the controversy surrounding the northern spotted owl developed, tracking how different environmentally oriented publications variously depicted loggers as “dumb brutes,” “complicit brutes,” and “indoctrinated forest workers” (53). These characterizations each represent a stereotype about loggers and forest industry, which Clare works to unpack through three stories, focusing on the ideas of complicity and stupidity.
In 1977, Clare and his father were working on building their house. They got their lumber from Tucker’s Mill, a one-family sawmill, as many of the other sawmills had permanently closed since the Siskiyous was nearly logged out. One day, there wasn’t the right lumber. Clare knew the sizes of the wooden beams they needed, but Tucker explained he wasn’t able to find logs big or long enough to make the beams. Weeks later, the beams arrived. Clare, looking back, realizes the beams must have come from an old growth tree and recognizes his complicity in the destruction of the forest he loves.
In 1991, Clare returned to Port Orford for the first time in four years. Sitting with his sister and their neighbor, he heard about the neighbor’s stepfather, Jim. Jim was a timber cruiser (a logger who goes to forests marked for clearcutting and estimates the profitability and feasibility of the operation) turned environmentalist but was in British Columbia doing cruising work for an old growth forest. While he fought to save the Siskiyous and the Elk River, he was willing to doom old growth forests in Canada to clearcutting because he needed the money to live and support himself as an environmentalist during the rainy season. He’s not a “dumb brute,” nor is he any more complicit, Clare argues, than Clare himself was when he was building a house out of large support beams.
Clare then recounts the story of his mother’s composition class at a community college in Coos Bay. She often saw former loggers in her classes, some of whom wrote beautiful pieces about their love of nature and some of whom wrote narratives comparing felling trees to rape, seemingly proud of both acts. Clare suggests that this demonstrates the human depth and complexity of the loggers. They are not all good or all bad. They are also damaged by the work they do that harms the forests, as they often lose limbs, suffer nerve damage, and experience other negative health impacts. They are complicit in the destruction of the forests because of their work, but so are the people who use timber products. Clare wonders what would happen if environmentalists shifted their criticism away from the loggers themselves and toward logging executives, the leaders of the large corporations that profit most from the timber industry.
Clare admits that he now believes clearcutting is a crime, but he has empathy for loggers and those who live in communities that would suffer if logging was taken away. He wants those who advocate for the end of logging to take accountability for how the logging communities would suffer economically, and he wants his audience to consider their complicity in supporting logging, as everyone utilizes paper and wood products in their everyday lives. Consumption creates a need for and logical rationalization for clearcutting, as does the capitalist and free trade market. He calls out Weyerhaeuser, a lumber corporation that has made billions cutting down old growth forests and sending the timber to Japan. Clare also calls out the US Forest Service for its role in allowing the timber companies to destroy the forests, even building roads for companies to use to increase the efficiency of their destruction. Clare identifies capitalism and those who benefit the most by it as those chiefly “complicit” in environmental destruction. Capitalism is a system that places profit above all else, including the planet, and Clare wants that system dismantled and replaced.
Clare acknowledges that blame is easier than systemic overhaul. It’s easier to blame loggers for the destruction of the forests than the executives who own the companies, as the image of the working-class logger is more visually associated with environmental destruction than a boardroom full of businesspeople discussing how to maximize profits. Targeting loggers for blame means jeopardizing the jobs and communities of timber workers, like Port Orford. Clare examines the different dying timber communities and the options for work outside the logging industry; some city and state governments want to place maximum security prisons near towns with failing economies, while others try to build Wal-Marts to offer low-paying service jobs. Neither addresses the root of the problem, much like placing the northern spotted owl on the endangered species list will not solve the problem of clearcutting. Clare wants activists to target the heads of the corporations like Weyerhaeuser. He also acknowledges the role that Eurocentric Christian ideals have played in creating the consumptive economy that treats the natural world like a commodity, especially in the context of the United States’ theft and destruction of Indigenous Americans’ land and resources. He wants a revolution to really change the system.
In 1999, the year Exile and Pride is published, Clare reflects on the five years since he began writing the essay collection, describing both the changes and stagnancies in the environmental movement, especially as it pertains to the timber industry. Court hearings and legislative bills have led to some changes, but destruction still remains a problem. For example, President Bill Clinton passed a bill forcing timber companies to review the watersheds and ecosystems of areas they plan to log in, but the compromise allowed a third of remaining old growth forests to be cut, making timber corporations richer while causing some loggers to lose their jobs. Meanwhile, environmental groups remained unwilling to look at the intersections between environmental harm and other types of destruction (though in a footnote from 2009, Clare admits that this characterization is too simplistic and exclusionary of environmental activists of color and their intersectional work).
Clare then recounts something that has changed. In the 1980s, the Weyerhaeuser mill in Coos Bay closed down, leaving its land and buildings vacant. It is now a casino owned and managed by the Coquelle, a tribe that was dissolved by the US government in 1954 after over a century of genocide and whose spoken language, Miluk, died with the last fluent speaker in 1961. After the fall of the mill, the tribe reclaimed the land and created a casino that benefits and enriches the tribe while offering jobs to former mill employees who might otherwise have no economic prospects. Though it is not the revolution Clare yearns for, it is still a move away from the destruction of clearcutting.
As the title of Part 1 suggests, these essays ground themselves in places—especially in The Concepts of Exile and Belonging and home. Clare opens the first “clearcut” essay with the image of his young self running home, passing into the Siskiyous National Forest. Clare’s description of Port Orford and its surrounding areas is full of sensory details that make his yearning for home palpable. He notes that even as he moved to the city to find a community that could accept his gender identity and orientation, he “ached for the trees, the river, the steep, quiet Siskiyous” (26). Moreover, the memories of Port Orford remain strong wherever he travels. He notes, “Home is also the damp, rotting log smell, the fog lifting to broken sun and wind” (27). He reconstructs the visual and olfactory experiences of his childhood home to demonstrate his lingering connection to the past. He later elaborates that his home is “particular wild and ragged beaches, specific kinds of trees and berry brambles, the exact meander of the river I grew up near” (32), highlighting the uniqueness of his childhood home through his word choice (“particular,” “specific,” and “exact”). The loving but mournful tone of these passages speaks to the fact that Clare is in a self-imposed exile from his home.
Clare’s politics complicate this yearning for home. He poses the rhetorical question, “How do I explain the distance, the tension, the disjunction between my politics and my loneliness?” (19), noting how his understanding of the environmental degradation forestry and fishing have done to the natural world chafes against his desire to return to Port Orford. He further understands that that home has itself been shaped irrevocably by the violence of environmental injustice, developing the theme of The Impact of Environmental Degradation on Marginalized Communities.
Clare focuses particularly on the working-class loggers of communities like Port Orford, explaining their motivation for their work:
Their long days outside, the years of trudging up and down impossibly steep hills, chainsaws balanced over shoulders, feed their love. And in turn their joy at the morning fog lifting off the trees, the sound of pileated woodpeckers and gray squirrels, bolsters their willingness to do the dangerous, body-breaking work of logging (57).
This passage challenges the assumption that loggers simply do not care about environmental impact of their work; on the contrary, it is precisely their love of nature that makes their “long days outside” rewarding. However, Clare does not romanticize the loggers’ work, using the words “dangerous” and “body-breaking” to describe the physical demands of the labor. This too seeks to inspire empathy among readers while drawing a parallel between the destruction of the forests and the destruction of loggers’ bodies; the implication is that those angry about the former should direct their frustration at the corporations responsible for both kinds of devastation.
As Clare explores the economic struggles of people living in rural areas, he makes this point explicit, arguing that environmental destruction only benefits corporations, not the people who sacrifice their health and safety for the job. When discussing complicity, Clare writes, “To end environmental destruction, we have to acknowledge who becomes rich and who pays the heaviest price” (63). Capitalism works to benefit corporations like Weyerhaeuser and Georgia-Pacific, enriching them at the cost of both nature and the bodies of the workers who earn a pittance.
The tensions that underpin Clare’s experiences and politics mean that he sometimes struggles to find the words to make sense of issues of exile, marginalization, and environmental justice, especially in the context of his desire to return to Port Orford. The words, Clare says, “throb like an abscessed tooth, simply hurt too much. Homesick is a platitude. I need to grab at seemingly unrelated words. Queer. Exile. Class” (31). Clare here grapples with the language that can fully describe not only the agony of losing home but the agony of losing home because of who he is—that is, because of his orientation and gender identity. He asks himself, “Is queer identity worth the loss?” (40).
However, Clare suggests that this very experience of alienation can be a force for good, as it is at the heart of The Intersections of Disability, Gender, and Sexuality, as well as class. When considering LGBTQIA+ movements based in rural areas, Clare writes, “If we do choose to engage in rural organizing, to effectively build queer communities and foster queer identity in the backwoods, I want us to follow the lead of rural poor and working-class queer people” (44). Clare’s desire to center LGBTQIA+ rural people in the movement for LGBTQIA+ liberation in rural areas is partly practical; those from such areas are clearly best positioned to understand their challenges. More broadly, though, Clare proposes centering a kind of grief that urban, middle-class LGBTQIA+ people may not know firsthand. In this, he touches on the theme of The Role of Personal Narrative in Social Justice Work, his vulnerability regarding his own exile standing in for other kinds of vulnerability and other kinds of exile (e.g., environmental) that he suggests LGBTQIA+ activists would do well to consider.
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