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After class, George heads to a hospital to visit Doris, an old lover of Jim’s. As he makes his way to her floor, the hospital reminds him of his own impending death and the death of his partner—who was killed on impact and never had to endure a hospital stay, which George considers lucky. When George gets to Doris’s room, he is unsurprised to see her shrivelled and yellow, staring out the window. He resents Doris for taking Jim’s attention away during a summer in which the latter became curious about women. George believes that Doris’s body “already held seeds of this rottenness” (75) when she was with Jim and cannot understand why he wanted anything to do with her. Doris struggles to maintain awareness, their conversation being short. A nurse comes in, and George leaves. He admits to himself that the reason he visits Doris is because, despite his hatred for her, she knew a part of Jim that he never would. George laments her being so far departed from her body and mind that she is no longer connected to Jim, nor does she remember much of him— “and one more bit of Jim is lost to him for ever” (80).
Seeing Doris in her sickly state gives George a new sense of life and vitality; he feels grateful to be alive. He decides to go to the gym after the visit to take advantage of his mood. As he checks himself in the mirror, he thinks about the boyish self within the man that seems to show more on him than others his age. All the men at the gym know and greet each other in a friendly manner, and George feels welcome and comfortable there. He describes the gym as a “state of easy-going physical democracy” (86) and notes that “no one is perfect and no one pretends to be” (86). George takes an especially long time working out and showering, living out the full extent of his current rush.
As sunset nears, George gets in his car and takes a detour so he can further enjoy his mood. He goes through hills he used to enjoy during his younger days and is disappointed to find their mystique and beauty gone. George’s mood drops into a state of “thorough depress[ion]” (89), and he drives to the supermarket. He finds that the aisles are filled with memories of him and Jim and the meals they cooked together and starts to wonder why he should carry on.
Beginning to dread the thought of going home to an empty house, George calls Charlotte and asks if she would still like to meet. She agrees, and while he feels relieved for a moment, he immediately begins to doubt his decision. George goes home to change. Mrs. Strunk comes to his door and asks him if he would like to come over for a visit—something she has not done for a long time. George voices his desire to do so the next day, but she remarks that she will have other friends over. He is instantly made aware of her concern over his being gay offending them. Nevertheless, he politely declines her invitation.
George lives a five-minute walk away from Charlotte, who lives on the hill above him. He makes his way there, observing the sudden decrease in quality of life compared to the street he lives on. Charlotte’s house is set apart from the rest, with its own staircase and dilapidated porch. George describes it as “marvellously remote from everywhere else in the world” (95). He finds Charlotte half-drunk and distraught over her estranged relationship with her son. As George comforts her, he thinks back to the moment when Jim’s uncle called him about Jim’s death. George reacted coldly, declined the funeral invitation, and never connected with Jim’s family again. Jim referred to George as a roommate among his family but made it well-known that the two were close. George turned to Charlotte in his grief, and Charlotte comforted him and helped him get back on his feet.
George and Charlotte drink and eat stew after the latter finishes sobbing. George notes to himself that if he died instead of Jim, Jim would be the one sitting with Charlotte. The two start to get drunk, and Charlotte asks George if he prefers living alone, hinting at the idea of them living together. George ignores the comment and moves on to a story about his and Jim’s past trip to England. He tells Charlotte about the house he grew up in despite her hearing about it several times before—an old Victorian in the suburbs of Manchester. George describes the night he and Jim went to a local pub, one Jim “fell wildly in love with” (109). Jim loved England, George’s old house, and the people there so much that he dreamt of him and George living there one day. Charlotte asks George, “Do you think—I mean—if Jim [hadn’t died]—would you really have bought it and settled down there?” (110). George has no answer, and the mood changes instantly. As Charlotte gets more drunk, she starts musing about leaving as nobody needs her.
George wants to tell her that he needs her but does not see it as appropriate to say to a friend. Charlotte dreads the idea of returning home without her husband as her sister will shame her, describing it as “going back to the place where [she] turned off the road” (113). She concludes that she cannot leave George alone, citing that Jim would have wanted her to stay. Charlotte becomes increasingly flirtatious with George and calls him “darling” (114). George tries to leave, but Charlotte kisses him romantically before finally letting him go; he implies this kiss wasn’t the first. George is completely drunk by the end of the night and stumbles his way out the door.
After work, George visits Doris—the dying ex-lover of Jim—and Charlotte—his closest living friend. Doris and Charlotte are both flat characters: Doris is dying and half-cognizant, and Charlotte is a lonely person who has alcoholism. The women’s respective scenes reveal George’s troubles and tragic flaw. He still mourns the loss of his partner Jim and fears his own death. Seeing Doris reminds George of his own impermanence, the distance between him and Jim. George wonders when it will be his time to lie in the hospital bed that Doris currently occupies—and ironically never makes it there as he dies later in the book, on the same day. George’s hospital visit reveals a sadistic side to his personality, as he is more concerned about himself and his connection to Jim than Doris’s impending death: “He dare not ask her about the pain. He is afraid of releasing some obscene horror, something visible and tangible and stinking, right here between them, in the room” (79). His alternate self, his “talking head,” (48) becomes cynical and selfish in the face of another’s death. When George visits Charlotte, he becomes drunk and reveals his dependence on her due to his loneliness and isolation. Charlotte is the only person left who truly knows George and accepts him for being gay, slightly strange, and terribly emotional.
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By Christopher Isherwood